Muse Sick-N-Hour Mess Age

Album Description

Public Enemy's 1994 release, Muse Sick-N-Hour Mess Age, is a sonic explosion that embodies the spirit of East Coast hip hop. Released on 23 August 1994 via Def Jam Recordings, this album is a testament to the group's unwavering commitment to hardcore hip hop. Clocking in at 1 hour and 11 minutes, Muse Sick-N-Hour Mess Age is a sprawling masterpiece that tackles a wide range of themes, from social commentary to personal reflection.

With tracks like 'Whole Lotta Love Goin On In The Middle Of Hell' and 'Stop In The Name...', Public Enemy delivers a scathing critique of societal ills, while songs like 'What Side You On?' and 'So Whatcha Gone Do Now?' showcase the group's ability to craft infectious, high-energy anthems. The album's eclectic mix of styles and themes is a hallmark of Public Enemy's innovative approach to hip hop, and Muse Sick-N-Hour Mess Age is no exception.

Throughout the album, Public Enemy's signature blend of hip hop, hardcore beats, and socially conscious lyrics is on full display. From the provocative 'Thin Line Between Law & Rape' to the haunting 'Death Of A Carjacka', each track is a powerful statement that showcases the group's unflinching commitment to their art. With Muse Sick-N-Hour Mess Age, Public Enemy cemented their status as one of the most influential and innovative forces in hip hop, and this album remains a testament to their enduring legacy.

August 23, 1994

℗ 1994 UMG Recordings, Inc.

About Public Enemy

Public Enemy, the iconic American hip hop group, emerged from Roosevelt, New York, in 1985, founded by the powerful duo Chuck D and Flavor Flav. Known for their unapologetic political messages, they fearlessly tackle issues like American racism and media bias. Their debut album, "Yo! Bum Rush the Show" (1987), set the stage for their groundbreaking second album, "It Takes a Nation of Millions to Hold Us Back" (1988), which topped The Village Voice's Pazz & Jop critics' poll and solidified their status as hip hop pioneers. With a discography spanning over three decades, including classics like "Fear of a Black Planet" (1990) and "Apocalypse 91... The Enemy Strikes Black" (1991), Public Enemy continues to be a voice for the voiceless, making them one of the most influential acts in music history. Their live performances are legendary, blending raw energy with powerful social commentary, ensuring every show is an unforgettable experience.