"One Line, Two Views" is a captivating album by the legendary Muhal Richard Abrams, released in 1995 under the New World Records label. This album is a testament to Abrams' innovative spirit and his significant contributions to the world of free jazz and avant-garde music. Recorded at the iconic Electric Lady Studios in NYC, the album features seven compositions performed by a nine-piece ensemble, showcasing Abrams' ability to blend diverse textures and tonal explorations.
The album opens with "Textures 95," setting the stage for a journey through Abrams' unique musical landscape. Each track, from the intricate "The Prism 3" to the poignant "Tribute to Julius Hemphill and Don Pullen," offers a distinct perspective while maintaining a cohesive whole. The ensemble, featuring talented musicians like Tony Cedras on accordion and percussion, Marty Ehrlich on alto saxophone and bass clarinet, and Reggie Nicholson on drums, brings Abrams' compositions to life with remarkable skill and creativity.
With a duration of 1 hour and 16 minutes, "One Line, Two Views" is a rich and immersive listening experience. Abrams' mastery of composition and arrangement shines through, making this album a standout in his discography and a must-explore for fans of jazz and avant-garde music.
Muhal Richard Abrams was a pioneering figure in the world of jazz, renowned for his innovative compositions and virtuosic performances as a pianist, clarinetist, and cellist. Born and raised in the United States, Abrams was deeply influenced by the bebop innovations of Bud Powell and went on to become a key figure in the free jazz and avant-garde movements. He was largely self-taught, developing a unique style that blended a strong foundation in the blues with a keen sense of experimentalism. Abrams co-founded the Association for the Advancement of Creative Musicians (AACM), an organization dedicated to promoting and supporting creative music and its artists. Throughout his career, he recorded and toured extensively, both as a solo artist and with various ensembles, leaving behind a rich discography that includes works like "Spihumonesty," "Mama and Daddy," and "Blues Forever." His music is a testament to his dedication to pushing the boundaries of jazz, making him a true icon in the genre.
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