Immerse yourself in the captivating world of classical chamber music with Sarah Francis' exquisite album, "Mozart & Krommer: Oboe Concertos." Released in February 1991 under the prestigious Hyperion label, this album is a testament to the timeless beauty of the oboe concerto genre.
Sarah Francis, a virtuoso on the oboe, takes center stage in this collection, accompanied by the London Mozart Players under the skilled direction of Howard Shelley. The album features three stunning concertos: Mozart's Oboe Concerto in C Major, K. 314, and two concertos by Franz Krommer, in F Major, Op. 37 and Op. 52. Each piece is a masterclass in composition and performance, showcasing the oboe's remarkable range and expressiveness.
The album spans a total of nine tracks, with a duration of one hour and one minute, offering a rich and immersive listening experience. From the lively Allegro aperto of Mozart's first movement to the delicate Adagio of Krommer's Op. 37, each track is a journey through the nuanced emotions and technical brilliance of classical music. The Rondo movements, with their playful Allegretto and Allegro tempos, add a touch of lightheartedness to the collection.
Sarah Francis' performance is nothing short of breathtaking, her mastery of the oboe evident in every note. The London Mozart Players and Howard Shelley provide impeccable support, their playing complementing Francis' virtuosity and bringing out the full depth and richness of these concertos.
Whether you're a seasoned classical music enthusiast or a newcomer to the genre, "Mozart & Krommer: Oboe Concertos" is an album that will captivate and inspire. It's a celebration of the oboe's versatility and a showcase of some of the finest concertos in the classical repertoire.
Sarah Francis is a distinguished British oboist celebrated for her refined chamber music performances. Specializing in 20th-century composers, she has premiered notable British works, including Gordon Crosse's "Ariadne" and Herbert Howells's "Oboe Sonata," and introduced several contemporary pieces to British audiences. Her repertoire spans Baroque composers like Telemann and lesser-known early-19th-century compositions. Francis's illustrious career includes serving as the principal oboist of the BBC Welsh Orchestra and directing the London Harpsichord Ensemble since 1981. She is an honorary fellow of the Royal College of Music, where she has also taught as a professor of oboe. Her mentors include renowned oboists Terence MacDonagh and Pierre Pierlot, and she has been a pivotal figure in the British Double Reed Society.
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