Mostly Duke

Album Description

Experience the legendary Milt Jackson in a live setting with "Mostly Duke," a captivating album recorded at the iconic Ronnie Scott's Club in London, UK, on April 23 & 24, 1982. This album, released by Original Jazz Classics in 1991, is a testament to Jackson's mastery of the vibraphone and his deep connection to the jazz tradition.

"Mostly Duke" features nine tracks that showcase Milt Jackson's versatility and artistry. From the playful "Three Little Words" to the soulful "Come Sunday," each song is a journey through the rich tapestry of jazz, blending elements of hard bop, bebop, cool jazz, and jazz blues. The album includes beloved standards like "Take The 'A' Train" and "Just Squeeze Me (But Don't Tease Me)," as well as lesser-known gems that highlight Jackson's unique style.

The live setting adds an extra layer of excitement, capturing the energy and spontaneity of a live performance. Jackson's virtuosity is on full display, as he navigates complex rhythms and melodies with ease. The album's duration of 47 minutes is packed with musical brilliance, making it a standout addition to any jazz enthusiast's collection.

"Mostly Duke" is not just a collection of songs; it's a snapshot of a moment in time, a glimpse into the world of one of jazz's greatest musicians. Whether you're a longtime fan of Milt Jackson or a newcomer to his music, this album is sure to captivate and inspire.

1 januari 1991

℗ 1991 Pablo Records, Distributed by Concord.

About Milt Jackson

Milt Jackson, affectionately nicknamed "Bags," was a pioneering force in jazz, renowned for his virtuosic skills on the vibraphone and his ability to blend various styles seamlessly. Born in Detroit, Michigan, Jackson's career spanned over five decades, during which he collaborated with some of the most influential figures in jazz, including Dizzy Gillespie, Thelonious Monk, Miles Davis, and John Coltrane. His work with the Modern Jazz Quartet, which he co-founded, is particularly celebrated for its cool, swinging solos and innovative compositions. Jackson's versatility allowed him to excel in hard bop, bebop, cool jazz, and jazz blues, making him a true master of the genre. His legacy as a NEA Jazz Master and a pioneer of bebop continues to inspire musicians and fans alike, cementing his place as one of the most celebrated vibraphonists in jazz history.