Moscheles: Grand Septuor, Op. 88 & Grand Sextuor, Op. 35 & Fantasie, Variations and Finale, Op. 46

Album Description

Dive into the rich world of classical chamber music with Ignaz Moscheles' captivating album, featuring three of his most celebrated works. This 1996 release from Musikproduktion Dabringhaus und Grimm offers a comprehensive exploration of Moscheles' compositional prowess, spanning nearly 80 minutes of exquisite performances by Consortium Classicum.

At the heart of the album is the Grand Septuor in D Major, Op. 88, a grand work for an ensemble of piano, violin, viola, cello, clarinet, horn, and double bass. This four-movement piece showcases Moscheles' ability to blend intricate harmonies and lively rhythms, from the spirited Allegro con spirito to the graceful Adagio con moto.

The album also presents the Grand Sextuor in E-Flat Major, Op. 35, a charming work for piano, violin, flute, two horns, and cello. This four-movement piece is a delightful blend of classical elegance and romantic expressiveness, with the Menuetto and Rondo movements standing out as particular highlights.

Rounding out the album is the Fantasy, Variations and Finale on "To gsau kone," Op. 46, a virtuosic work for piano and orchestra. This piece is a testament to Moscheles' skill in weaving together folk melodies and classical structures, resulting in a work that is both engaging and intellectually stimulating.

Whether you're a seasoned classical enthusiast or a curious newcomer, this album offers a rewarding listening experience. The performances by Consortium Classicum are impeccable, bringing out the full depth and nuance of Moscheles' compositions. The album's high-quality production and thoughtful programming make it an essential addition to any classical music collection.

November 1, 1996

1996 Musikproduktion Dabringhaus und Grimm

About Ignaz Moscheles

Ignaz Moscheles, born in Prague in 1794, was a renowned Bohemian pianist, composer, and conductor whose career spanned much of the 19th century. Known for his virtuosity on the piano, Moscheles began his musical journey studying in Vienna before settling in London in 1826, where he quickly established himself as a leading concert pianist. His later years were spent in Leipzig, where he joined his friend and occasional pupil Felix Mendelssohn as a professor of piano at the Conservatory. Moscheles' compositions, ranging from elegant chamber music to intricate piano works, reflect his deep musical insight and technical prowess. His legacy endures not just through his music but also through his influence on the next generation of musicians, making him a pivotal figure in the musical landscape of his time.