Rabih Abou-Khalil's "Morton's Foot," released in 2003 under ENJA RECORDS Matthias Winckelmann, is a captivating journey through the fusion of jazz and Middle Eastern music. This album, recorded in Germany, showcases Abou-Khalil's mastery of the oud, blending intricate melodies with contemporary jazz sensibilities. With a duration of 1 hour and 8 minutes, the album features 11 tracks, each offering a unique blend of cultural influences and innovative compositions.
The album begins with "Ma Muse M'abuse," setting the tone for the eclectic mix of sounds that follow. Tracks like "Il Ritorno del Languore" and "Il Sospiro" highlight Abou-Khalil's ability to weave together complex rhythms and haunting melodies. The inclusion of Gavino Murgia's distinctive vocals adds a layer of depth and intrigue to songs like "Lobotomie Mi Baba Lu" and "O Papaia Balerina."
"Morton's Foot" is a testament to Abou-Khalil's artistic evolution, following the success of his previous work, "Cactus of Knowledge." This album strips down the big band sound, focusing instead on the interplay between the oud and other instruments, creating a more intimate and immersive listening experience. The recording location, Sound Studio Zerkall, provides a serene backdrop for the album's creation, enhancing the overall atmosphere.
From the playful "Hopping Jack" to the poignant "Waltz for Dubbya," each track on "Morton's Foot" offers a glimpse into Abou-Khalil's creative genius. The album's final track, "The Return of the Maltese Chicken," leaves a lasting impression, encapsulating the essence of Abou-Khalil's unique musical vision. Whether you're a longtime fan of Rabih Abou-Khalil or new to his work, "Morton's Foot" is an album that promises to captivate and inspire.
Rabih Abou-Khalil is a Lebanese oud virtuoso and composer who has masterfully blended the rich traditions of Arabic music with the spontaneity of jazz, the depth of classical music, and a myriad of other influences. Born on August 17, 1957, in Lebanon, Abou-Khalil's music is a testament to his diverse musical upbringing, having also studied the flute with Walter Theurer. His work is a vibrant fusion of Middle Eastern folk and jazz improvisation, creating a sound that is both familiar and innovative. With a career spanning over three decades, Abou-Khalil has performed extensively with his "Mediterranean" Quintet, a group that reflects his commitment to cross-cultural musical dialogue. His albums, such as "Blue Camel" and "The Flood and the Fate of the Fish," are not just collections of songs but journeys through sound, inviting listeners to explore the intricate landscapes of his compositions. Abou-Khalil's music is a celebration of diversity, a bridge between cultures, and a testament to the power of music to connect and inspire.
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