Michel Godard's "Monteverdi - A Trace of Grace" is a captivating blend of French jazz and Baroque influences, recorded in the serene setting of the Abbaye de Noirlac in France. Released in 2011 under Carpe Diem Records Berlin, this album is a testament to Godard's virtuosity and his ability to seamlessly merge contemporary jazz with classical compositions.
The album opens with a duet from Monteverdi's final opera, "L'Incoronazione di Poppea," setting the stage for a journey through time and musical styles. Godard's mastery of the serpent and other wind instruments shines throughout the 13 tracks, each offering a unique fusion of jazz improvisation and Baroque elegance. From the hauntingly beautiful "Pur ti miro" to the soothing "A Trace of Grace," the album is a rich tapestry of sounds that will captivate any music enthusiast.
"Monteverdi - A Trace of Grace" is not just an album; it's an experience. The combination of Godard's innovative arrangements and the historic recording location creates an atmosphere that is both intimate and expansive. Whether you're a fan of jazz, classical music, or simply appreciate exceptional musicianship, this album is sure to leave a lasting impression.
Michel Godard is a virtuoso French musician renowned for his mastery of the tuba and the serpent, an ancient brass instrument that predates the tuba. Born in Héricourt, France, Godard's musical journey began at a young age, leading him to become a member of the Philharmonic Orchestra of Radio-France at just 18. His career spans both classical and avant-garde jazz genres, making him a unique and versatile artist. Godard's technical prowess on the tuba is remarkable, with a warm, clear tone and an impressive ability to produce overtones, a technique known as multiphonics. He has collaborated with numerous notable musicians, including Rabih Abou-Khalil, Michel Portal, and Louis Sclavis, enriching his musical repertoire with diverse cultural influences. Beyond his performances, Godard is also dedicated to education, serving as a serpent teacher at Paris' Conservatoire national de musique since 2002. His work is a testament to his deep understanding and passion for both historical and contemporary musical traditions.
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