Milt Jackson

Album Description

Milt Jackson's self-titled album, released on 1 January 2005 via Blue Note Records, is a masterclass in jazz excellence. This 52-minute masterpiece weaves together a rich tapestry of hard bop, jazz, bebop, cool jazz, and jazz blues, showcasing Jackson's incredible versatility as a musician.

The album features a plethora of remastered tracks from 1988, including 'Tahiti', 'Lillie', 'What's New', and 'Don't Get Around Much Anymore', each offering a unique perspective on Jackson's artistry. Additionally, alternate takes of 'Lillie', 'What's New', and 'Don't Get Around Much Anymore' provide a fascinating glimpse into the creative process behind these iconic recordings.

The tracklist is rounded out by an array of other jazz staples, such as 'Bags' Groove', 'On The Scene', 'Evidence', 'Misterioso', 'Epistrophy', 'I Mean You', 'All The Things You Are', and 'I Should Care'. With its intricate melodies and improvisational flair, this album is a must-listen for fans of Milt Jackson and jazz enthusiasts alike. Through his music, Jackson invites listeners to experience the full range of his emotional depth and technical prowess, making this album an unforgettable listening experience.

January 1, 2005

This Compilation ℗ 2005 Blue Note Records

About Milt Jackson

Milt Jackson, affectionately nicknamed "Bags," was a pioneering force in jazz, renowned for his virtuosic skills on the vibraphone and his ability to blend various styles seamlessly. Born in Detroit, Michigan, Jackson's career spanned over five decades, during which he collaborated with some of the most influential figures in jazz, including Dizzy Gillespie, Thelonious Monk, Miles Davis, and John Coltrane. His work with the Modern Jazz Quartet, which he co-founded, is particularly celebrated for its cool, swinging solos and innovative compositions. Jackson's versatility allowed him to excel in hard bop, bebop, cool jazz, and jazz blues, making him a true master of the genre. His legacy as a NEA Jazz Master and a pioneer of bebop continues to inspire musicians and fans alike, cementing his place as one of the most celebrated vibraphonists in jazz history.