Immerse yourself in the captivating world of classical opera with Johann Simon Mayr's "La Lodoiska," a timeless masterpiece released in 2011 by Oehms Classics. This two-hour, seventeen-minute choral journey is a testament to Mayr's brilliance, featuring the esteemed Münchner Rundfunkorchester under the skilled direction of George Petrou.
"La Lodoiska" is a dramatic opera in two acts, composed by the German-Italian composer Johann Simon Mayr, born in Mendorf, Bavaria, in 1763. The opera is a rich tapestry of emotions, woven with intricate melodies and powerful choruses that bring to life the story of Lodoiska, a Polish princess, and her tumultuous journey through love, betrayal, and redemption.
The album features an impressive array of vocal talents, including Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, and Elvira Hasanagic, among others. Their performances are nothing short of breathtaking, each note resonating with passion and precision. The Münchner Rundfunkorchester's accompaniment is equally remarkable, providing a lush and immersive soundscape that perfectly complements the vocal performances.
From the stirring "Sinfonia" that opens the opera to the dramatic climax of "Act II Scene 20: Das Feuer prasselt," "La Lodoiska" is a rollercoaster of musical and emotional highs and lows. The opera's themes of love, loss, and resilience are as relevant today as they were in Mayr's time, making "La Lodoiska" a timeless exploration of the human condition.
Whether you're a seasoned classical music enthusiast or a newcomer to the genre, "La Lodoiska" is an album that demands your attention. Its rich musical tapestry and powerful performances make it a standout in the world of classical opera, a testament to Johann Simon Mayr's enduring legacy.
2011 Oehms Classics2011 Oehms Classics
Tracks
La Lodoiska: SinfoniaJohann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
La Lodoiska, Act I Scene 1: Lodoiska, warum bist du an solch einem schönen Tag grüblerisch und traurig? (Chorus, Lodoiska)Johann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
La Lodoiska, Act I Scene 1: Ach, lasst doch den unangebrachten Pomp! (Lodoiska, Resiska)Johann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
La Lodoiska, Act I Scene 2: Herrlicher Held, komm doch, komm zu solch glücklichem Augenblick! (Chorus, Boleslao)Johann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
La Lodoiska, Act I Scene 2: Prinzessin, wenn du willst (Boleslao, Lodoiska, Resiska, Radoski)Johann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
La Lodoiska, Act I Scene 3: Leb wohl (Boleslao, Lodoiska)Johann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
La Lodoiska, Act I Scene 3: Duet. Ich gehe, du willst es, mein Leben (Boleslao, Lodoiska) - Scene 4: Ungluckliche Lodoiska! [Resiska]Johann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
La Lodoiska, Act I Scene 5: Die Kriegsfahnen flattern im Wind (Chorus, Giskano)Johann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
La Lodoiska, Act I Scene 6: Dies ist, wenn ich mich recht entsinne (Lovinski)Johann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
La Lodoiska, Act I Scene 6: Voll Mitleid mit meinen Klagen haben Hugel, Wald und Feld den teuren (Lovinski)Johann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
La Lodoiska, Act I Scene 6: Aber was fur ein Klageschrei tont ringsum? (Lovinski) - Scene 7: O Gott! [Polish Prisoners, Tataren, Lovinski, Narseno, Giskano]Johann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
La Lodoiska, Act I Scene 8: Recitative. Wie schon ist inmitten des Wutens ein Akt des Mitleids (Lovinski)Johann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
La Lodoiska, Act I Scene 9: Recitative. Nein, nicht ich, dieser hat euch gerettet (Narseno, Lovinski) - Scene 10: Wo ist der tapfere Krieger [Boleslao, Lovinski]Johann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
La Lodoiska, Act I Scene 10: Aria. Da, zwischen Massaker und Blut gewinnt dieses Herz an Starke (Lovinski) - Scene 11: Radoski! [Boleslao] - Scene 12: Oh wie ist es wahr [Radoski]Johann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
La Lodoiska, Act I Scene 13: In diesem lieblichen Hain konntest du vollkommen glucklich sein (Lodoiska)Johann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
La Lodoiska, Act I Scene 14: Was sehe ich? (Boleslao, Lodoiska)Johann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
La Lodoiska, Act I Scene 14: Freche! So achtest du meine Befehle (Boleslao)Johann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
La Lodoiska, Act I Scene 14: Denk an die Beleidigung (Boleslao) - Scene 15: Niedriger Geist! [Lodoiska] - Scene 16: Ungluckliche Tochter [Radoski]Johann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
La Lodoiska, Act I Scene 17: Wie unsicher ist der Weg! (Lodoiska, Lovinski, Boleslao, Chorus) - Scene 2: Geh nicht, Radoski [Boleslao]Johann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
La Lodoiska, Act II Scene 1: Der erste Kampf ist uns gegluckt! (Radoski, Narseno, Chorus)Johann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
La Lodoiska, Act II Scene 2: Schau und freu dich, Herr (Narseno, Boleslao) - Scene 3: Verdacht und Schmerz bedrucken dies Herz [Boleslao, Radoski] - Scene 4: Und doch [Boleslao, Lovinski]Johann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
La Lodoiska, Act II Scene 4: Dass du ihr offen den sicheren Tod ihres Lovinski meldest (Boleslao, Lovinski)Johann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
La Lodoiska, Act II Scene 4: Du sagst es also … (Boleslao, Lovinski)Johann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
La Lodoiska, Act II Scene 5: Gerechter Himmel, was wird sein! (Resiska)Johann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
La Lodoiska, Act II Scene 5: Solch edles Herz, solch reine Seele hat nicht so viel Ungemach verdient (Resiska)Johann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
La Lodoiska, Act II Scene 6: Resiska! Wo ist der Schändliche? (Lodoiska, Resiska) - Scene 7: Prinzessin, dir auf der Spur … [Boleslao, Lodoiska]Johann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
La Lodoiska, Act II Scene 7: O Gott! Lovinski (Lodoiska)Johann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
La Lodoiska, Act II Scene 7: Was begehrst du noch mehr, tyrannische Liebe? (Lodoiska)Johann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
La Lodoiska, Act II Scene 8: Zur rechten Zeit unternahm ich den Angriff auf ihr Herz (Boleslao, Narseno)Johann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
La Lodoiska, Act II Scene 9: Herr, was hast du vor? (Chorus, Boleslao)Johann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
La Lodoiska, Act II Scene 10: Bald wird Lovinski uber alle Verwirrung (Narseno)Johann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
La Lodoiska, Act II Scene 10: Du bist zu unvorsichtig, wenn du glaubst, schon nahe am Hafen zu sein! (Narseno)Johann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
La Lodoiska, Act II Scene 11: Himmel, was vernehme ich! Mein Geliebter ist tot (Lodoiska, Boleslao) - Scene 12: Auf deinen Wink … [Lovinski, Lodoiska, Narseno]Johann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
La Lodoiska, Act II Scene 12: Was sagst du? (Lovinski)Johann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
La Lodoiska, Act II Scene 12: Heitere deinen Blick auf (Lovinski, Lodoiska, Boleslao) - Scene 13: Im aussersten Fall muss man wirklich alles versuchen [Boleslao]Johann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
La Lodoiska, Act II Scene 14: Komm, Sigeski. Oh, du kommst wie gerufen! (Radoski, Sigeski)Johann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
La Lodoiska, Act II Scene 15: Steig herab, wohlwollender Hymen (Chorus, Boleslao, Lodoiska, Lovinski, Sigeski)Johann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
La Lodoiska, Act II Scene 16: Jedem gegenuber (Radoski)Johann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
La Lodoiska, Act II Scene 16: Wann wird der schreckliche Sturm endlich aufhoren? (Radoski) - Scene 17: Ach, Tochter! [Sigeski, Lodoiska]Johann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
La Lodoiska, Act II Scene 18: Nun ist alles Zaudern umsonst (Boleslao, Lovinski, Sigeski)Johann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
La Lodoiska, Act II Scene 19: Lovinski, hast du Mut? (Lodoiska, Lovinski)Johann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
La Lodoiska, Act II Scene 19: Ach, mein susser Schatz (Lovinski, Lodoiska)Johann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
La Lodoiska, Act II Scene 19: Zu den Waffen (Chorus, Lodoiska, Giskano, Lovinski) - Scene 20: Das Feuer prasselt [Boleslao, Lovinski, Lodoiska, Chorus, Giskano, Narseno, Resiska, Sigeski]Johann Simon Mayr, Anna Maria Panzarella, Elena Belfiore, Jeremy Ovenden, Elvira Hasanagic, Ines Reinhardt, Nam Won Huh, Marc Megele, Marko Cilic, Prague Philharmonic Chorus, male section, Munich Radio Orchestra, George Petrou
Johann Simon Mayr, born in the Bavarian town of Mendorf in 1763, was a prolific German composer who made a significant mark on the Italian operatic and liturgical music scenes. Known in Italy as Giovanni Simone Mayr, he was one of the most successful composers before the rise of Rossini. Mayr's innovative use of the orchestral crescendo technique set him apart and influenced future generations of composers. His extensive catalog includes a wealth of operas and choral works that showcase his mastery of both dramatic and sacred genres. Beyond his own compositions, Mayr is perhaps best remembered as the esteemed teacher of the renowned Gaetano Donizetti, further cementing his legacy in the world of classical music. His contributions to the romantic era make him a key figure in the transition from classical to romantic styles, offering a rich tapestry of musical exploration for enthusiasts to discover.