Ginevra di Scozia: SinfoniaJohann Simon Mayr, George Petrou, Munich Radio Orchestra
Ginevra di Scozia, Act I: Introduzione. Deh! Proteggi, o Ciel clemente (Chorus, Re, Lurcanio)Johann Simon Mayr, Peter Schone, Stefanie Irányi, Heinrich Schutz Male Choir, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act I: Recitative. Qual dolce speme! (Re)Johann Simon Mayr, Peter Schone, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act I: Coro e Cavatina. S'apra alla gioia (Chorus, Ginevra, Re)Johann Simon Mayr, Myrto Papatanasiu, Peter Schone, Heinrich Schutz Male Choir, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act I: Recitative. Andiamo. Già mi predice il core (Re, Ginevra, Dalinda)Johann Simon Mayr, Peter Schone, Myrto Papatanasiu, Magdalena Hinterdobler, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act I: Scena e Cavatina. Quale m'affanna e opprime (Polinesso)Johann Simon Mayr, Mario Zeffiri, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act I: Recitative. Mio Signor! (Dalinda, Polinesso)Johann Simon Mayr, Magdalena Hinterdobler, Mario Zeffiri, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act I: MarchJohann Simon Mayr, George Petrou, Munich Radio Orchestra
Ginevra di Scozia, Act I: Recitative. Figlia, gioisci. Il vincitor fra poco (Re, Ginevra, Polinesso)Johann Simon Mayr, Peter Schone, Myrto Papatanasiu, Mario Zeffiri, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act I: Recitative, Coro e Cavatina. Egli gia vien. Da lungi (Re, Ginevra, Polinesso, Chorus, Ariodante)Johann Simon Mayr, Peter Schone, Myrto Papatanasiu, Mario Zeffiri, Anna Bonitatibus, Heinrich Schutz Male Choir, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act I: Recitative. Sire. Vincemmo (Ariodante, Re, Ginevra, Polinesso, Lurcanio)Johann Simon Mayr, Anna Bonitatibus, Peter Schone, Myrto Papatanasiu, Mario Zeffiri, Stefanie Irányi, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act I: March (reprise)Johann Simon Mayr, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act I: Recitative. Dunque sempre spietata (Lurcanio, Dalinda)Johann Simon Mayr, Stefanie Irányi, Magdalena Hinterdobler, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act I: Aria. Ah! Dov'e quell'alma audace (Lurcanio)Johann Simon Mayr, Stefanie Irányi, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act I: Recitative. Non più. Lasciami, o duca, troppo omai (Ariodante, Polinesso)Johann Simon Mayr, Anna Bonitatibus, Mario Zeffiri, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act I: Recitative e Duetto. Oh dio! Qual gel mi scende al cor! (Ariodante, Polinesso)Johann Simon Mayr, Anna Bonitatibus, Mario Zeffiri, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act I: Recitative. Cielo! Come agitato (Vafrino)Johann Simon Mayr, Marko Cilic, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act I: Aria. Tremo confuso, agitato, e peno (Vafrino)Johann Simon Mayr, Marko Cilic, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act I: Finale. Gia l'ombre sue notte distese (Ariodante, Lurcanio, Polinesso, Dalinda, Chorus, Re, Ginevra)Johann Simon Mayr, Anna Bonitatibus, Stefanie Irányi, Mario Zeffiri, Magdalena Hinterdobler, Peter Schone, Myrto Papatanasiu, Heinrich Schutz Male Choir, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act II: Recitative. Oh me dolente! Ahi, lasso! (Vafrino, Dalinda)Johann Simon Mayr, Marko Cilic, Magdalena Hinterdobler, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act II: Aria. Tu vedi in me la vittima (Dalinda)Johann Simon Mayr, Magdalena Hinterdobler, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act II: Scena. Dove son io? (Ariodante, Chorus, Vorsteher)Johann Simon Mayr, Anna Bonitatibus, Virgil Mischok, Heinrich Schutz Male Choir, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act II: Recitative. Qual orrida sciagura (Re, Lurcanio)Johann Simon Mayr, Peter Schone, Stefanie Irányi, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act II: Recitative ed Aria. La legge eseguiro (Re)Johann Simon Mayr, George Petrou, Peter Schone, Munich Radio Orchestra
Ginevra di Scozia, Act II: Scena e Rondo. Infelice Ginevra! (Ginevra, Re)Johann Simon Mayr, Myrto Papatanasiu, Peter Schone, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act II: Coro ed Aria. Il sole all'occaso (Chorus, Polinesso, Re, Ginevra)Johann Simon Mayr, Mario Zeffiri, Peter Schone, Myrto Papatanasiu, Heinrich Schutz Male Choir, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act II: Recitative. Figlia! Padre! (Re, Ginevra, Lurcanio, Polinesso)Johann Simon Mayr, Peter Schone, Myrto Papatanasiu, Stefanie Irányi, Mario Zeffiri, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act II: Scena e Quintetto. Ah! Io la difendo (Ginevra, Ariodante, Lurcanio, Polinesso, Re)Johann Simon Mayr, Myrto Papatanasiu, Anna Bonitatibus, Stefanie Irányi, Mario Zeffiri, Peter Schone, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act II: Recitative. Guerrier, chi sei? (Lurcanio, Ariodante, Re, Ginevra, Polinesso)Johann Simon Mayr, Stefanie Irányi, Anna Bonitatibus, Peter Schone, Myrto Papatanasiu, Mario Zeffiri, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act II: Recitative e Duetto. Che dici tu? (Ginevra, Ariodante)Johann Simon Mayr, Myrto Papatanasiu, Anna Bonitatibus, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act II: Coro. Che giorno di spavento! (Chorus)Johann Simon Mayr, Heinrich Schutz Male Choir, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act II: Recitative. Popoli! Al gran cimento ecco la figlia (Re, Ginevra, Polinesso, Lurcanio, Ariodante, Vafrino, Dalinda)Johann Simon Mayr, Peter Schone, Myrto Papatanasiu, Mario Zeffiri, Stefanie Irányi, Anna Bonitatibus, Marko Cilic, Magdalena Hinterdobler, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act II: Finale. O Giocondo e lieto giorno! (All)Johann Simon Mayr, Myrto Papatanasiu, Magdalena Hinterdobler, Anna Bonitatibus, Stefanie Irányi, Mario Zeffiri, Marko Cilic, Peter Schone, Virgil Mischok, Heinrich Schutz Male Choir, Munich Radio Orchestra, George Petrou
Johann Simon Mayr, born in the Bavarian town of Mendorf in 1763, was a prolific German composer who made a significant mark on the Italian operatic and liturgical music scenes. Known in Italy as Giovanni Simone Mayr, he was one of the most successful composers before the rise of Rossini. Mayr's innovative use of the orchestral crescendo technique set him apart and influenced future generations of composers. His extensive catalog includes a wealth of operas and choral works that showcase his mastery of both dramatic and sacred genres. Beyond his own compositions, Mayr is perhaps best remembered as the esteemed teacher of the renowned Gaetano Donizetti, further cementing his legacy in the world of classical music. His contributions to the romantic era make him a key figure in the transition from classical to romantic styles, offering a rich tapestry of musical exploration for enthusiasts to discover.
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Album Description
2014 Oehms Classics2014 Oehms Classics
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Dive into the rich musical heritage of Johann Simon Mayr with the captivating album "Mayr: Ginevra di Scozia." This operatic masterpiece, originally performed in 1801, is a dramatic heroism in two acts with a libretto by Gaetano Rossi. The album, released on July 1, 2014, by Oehms Classics, offers a choral experience that spans nearly three hours, featuring 33 tracks that immerse you in the intricate storytelling and powerful performances of the Munich Radio Orchestra under the direction of George Petrou.
"Ginevra di Scozia" is a testament to Mayr's compositional prowess, blending orchestral brilliance with vocal virtuosity. The album showcases a stellar cast, including Elizabeth Vidal, Daniela Barcellona, and Antonino Siragusa, who bring the characters to life with their compelling performances. From the stirring "Sinfonia" that opens the album to the dramatic finales, each track is a journey through the complexities of love, betrayal, and redemption.
This album is not just a collection of songs but a complete operatic experience, capturing the essence of Mayr's work. The detailed recitatives, powerful arias, and grand choruses create a tapestry of sound that is both historically significant and timeless in its appeal. Whether you are a seasoned opera enthusiast or a newcomer to the genre, "Mayr: Ginevra di Scozia" offers a profound and engaging exploration of one of the lesser-known but equally important works of the early 19th century.