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Paula Rae Gibson
Paula Rae Gibson is a multifaceted English artist, renowned for her work as both a photographer and a singer-songwriter. Her journey in music began with the release of her debut album, "No More Tiptoes," in 2007, a deeply personal response to the loss of her husband, film director Brian Gibson. This album, featuring her evocative vocals and Tom Pilling's keyboard work, was met with critical acclaim, with a track from the album being selected as one of the top ten tracks of the year by Time Out.
Gibson's photography is equally captivating. As a senior photography curator at the V&A museum, she has made a significant impact on the art world. Her photographic style is distinctive, often using black and white paper to create uneven shapes that contrast with conventional formats. This improvisational quality is a hallmark of her work, making each piece unique.
In addition to her solo work, Gibson has collaborated on various projects, including the film "What Are You Doing Forever?" where she served as the scriptwriter, actor, and composer. Her latest musical offering, "The Roles We Play To Disappear," is set to release in October 2024, promising another deep dive into her emotive and introspective songwriting style. Gibson's ability to blend personal narrative with artistic innovation makes her a standout figure in both the music and photography worlds.
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Paula Rae Gibson's "Maybe Too Nude," released on April 1, 2008, under the Babel label, is a captivating exploration of free jazz that showcases her unique artistic vision and collaborative spirit. This album, her second, is a testament to her ability to blend genres and create something truly distinctive. Recorded in collaboration with Will Gregory of Goldfrapp and drummer Martyn Barker, "Maybe Too Nude" is a dynamic and immersive experience that spans 14 tracks and over an hour of music.
The album opens with "Lovely Rain," setting the tone for a journey through a variety of moods and textures. From the haunting melodies of "Black Hole" to the introspective "Not Going To Mention," Gibson's vocals and instrumentation weave a tapestry of sound that is both intricate and accessible. Tracks like "You're Not Going To Take Me From Me" and "Blow With The Wind" highlight her ability to convey deep emotion and vulnerability, while "Mad Days" and "Scribbles As A Face" showcase her playful and experimental side.
Throughout "Maybe Too Nude," Gibson's collaboration with Gregory and Barker is evident in the rich layers of sound and the seamless blend of electronic and acoustic elements. The album's title track, "Maybe Too Nude," closes the collection with a reflective and introspective note, leaving the listener with a sense of completion and satisfaction.
"Maybe Too Nude" is a testament to Paula Rae Gibson's artistry and her ability to push the boundaries of free jazz. With its diverse range of tracks and collaborative spirit, this album is a must-listen for anyone looking to explore the depths of contemporary jazz and the innovative sounds of one of its most exciting artists.
