Mary Lou Williams

Album Description

Dive into the rich tapestry of jazz history with Mary Lou Williams' seminal 1964 release, "Mary Lou Williams," alternatively known as "Black Christ of the Andes." This captivating album, released on Folkways Records, showcases the virtuosity of pianist Mary Lou Williams, a pioneer in the jazz and bebop genres. The album's ten tracks, spanning a concise 39 minutes, offer a blend of styles that include bop, soul-jazz, gospel, and modal jazz, reflecting Williams' versatility and innovation.

The album opens with "Black Christ of the Andes (St. Martin de Porres)," a piece that pays homage to the Peruvian saint, setting a contemplative tone. It's followed by the iconic "It Ain't Necessarily So," a rendition that stands out for its subversive and thought-provoking interpretation. Other highlights include the spirited "A Grand Nite for Swinging" and the soulful "My Blue Heaven," demonstrating Williams' ability to infuse classic tunes with her unique perspective.

"Mary Lou Williams" is not just a collection of songs but a testament to the artist's spiritual and musical journey. The album's diverse tracks, from the somber "Dirge Blues" to the uplifting "Praise the Lord," reflect Williams' deep faith and her commitment to social justice. Each piece is a masterclass in piano playing, showcasing Williams' technical skill and her ability to convey deep emotion through her music.

This reissue, complete with high-quality sound, allows both longtime fans and new listeners to appreciate the depth and breadth of Mary Lou Williams' genius. Whether you're a jazz aficionado or a casual listener, "Mary Lou Williams" is an essential addition to any music collection, offering a timeless exploration of faith, spirituality, and the human experience.

1 januari 1964

(P) 1964 Smithsonian Folkways Recordings. Originally released on Folkways Records.

About Mary Lou Williams

Mary Lou Williams, born in 1910, was a titan of jazz, renowned for her virtuosity as a pianist, composer, and arranger. Her career spanned over four decades, during which she wrote hundreds of compositions and arrangements, leaving an indelible mark on the genre. Williams began her journey in music at a young age, starting to arrange music in 1929, and by 1942, she was one of the most celebrated arrangers in the industry. Her work bridged the swing and bebop eras, earning her the moniker "The Lady Who Swings the Band." Beyond her musical prowess, Williams was also an educator and activist, embodying the rich complexities and joy of jazz. Her influence continues to be recognized and celebrated, solidifying her status as one of the greatest jazz pianists and composers of all time.