Immerse yourself in the enchanting world of Baroque music with "Resveries," a captivating album featuring the timeless compositions of Marin Marais. This exquisite collection, released in 2017, showcases a selection of pieces from Marais' renowned "Pièces de viole, Livre 5," performed with unparalleled skill and sensitivity by Philippe Pierlot and his ensemble.
Spanning over an hour and ten minutes, this album is a journey through the intricate and expressive suites of Marais, each piece meticulously crafted to highlight the rich tonal qualities of the viola da gamba. From the hauntingly beautiful "Prélude le Soligni" to the lively "Gigue la Pagode," every track offers a unique glimpse into the musical genius of Marais and the virtuosity of the performers.
The album features a diverse range of movements, including sarabandes, gigues, and menuets, each imbued with Marais' distinctive style and technical brilliance. The performances are marked by their clarity, precision, and deep understanding of the Baroque aesthetic, making this album a treasure trove for both classical music enthusiasts and those new to the genre.
With its high-quality recording and thoughtful programming, "Resveries" is an essential addition to any music lover's collection. Whether you're drawn to the elegant melodies of the sarabandes or the lively rhythms of the gigues, this album promises a rich and rewarding listening experience.
2017 Flora2017 Flora
Tracks
Pièces de viole, Livre 5 - Suite No. 1 in A Minor: No. 1, Prélude le Soligni (Lent)Marin Marais, Philippe Pierlot, Myriam Rignol, Julien Wolfs
Pièces de viole, Livre 5 - Suite No. 1 in A Minor: No. 10, Petit caprice (Légèrement)Marin Marais, Philippe Pierlot, Myriam Rignol, Julien Wolfs
Pièces de viole, Livre 5 - Suite No. 1 in A Minor: No. 3, SarabandeMarin Marais, Philippe Pierlot, Myriam Rignol, Julien Wolfs
Pièces de viole, Livre 5 - Suite No. 1 in A Minor: No. 6, Gigue (Gay)Marin Marais, Philippe Pierlot, Myriam Rignol, Julien Wolfs
Pièces de viole, Livre 5 - Suite No. 1 in A Minor: No. 9, La Sincope (Gayement)Marin Marais, Philippe Pierlot, Myriam Rignol, Julien Wolfs
Pièces de viole, Livre 5 - Suite No. 1 in A Minor: No. 4, La MariéeMarin Marais, Philippe Pierlot, Myriam Rignol, Julien Wolfs
Pièces de viole, Livre 5 - Suite No. 1 in A Minor: No. 15, Rondeau moitié pincé et moitié coups d'archetMarin Marais, Philippe Pierlot, Myriam Rignol, Julien Wolfs
Pièces de viole, Livre 5 - Suite No. 3 in F Major: No. 32, PréludeMarin Marais, Philippe Pierlot, Myriam Rignol, Julien Wolfs
Pièces de viole, Livre 5 - Suite No. 3 in F Major: No. 33, Allemande la bois GuillaumeMarin Marais, Philippe Pierlot, Myriam Rignol, Julien Wolfs
Pièces de viole, Livre 5 - Suite No. 3 in F Major: No. 34, SarabandeMarin Marais, Philippe Pierlot, Myriam Rignol, Julien Wolfs
Pièces de viole, Livre 5 - Suite No. 3 in F Major: No. 35, La Demoi. Gigue (Très gay)Marin Marais, Philippe Pierlot, Myriam Rignol, Julien Wolfs
Pièces de viole, Livre 5 - Suite No. 3 in F Major: No. 44, Les Forgerons (Gay)Marin Marais, Philippe Pierlot, Myriam Rignol, Julien Wolfs
Pièces de viole, Livre 5 - Suite No. 3 in F Major: No. 45, Le touce du claveçin (Gay)Marin Marais, Philippe Pierlot, Myriam Rignol, Julien Wolfs
Pièces de viole, Livre 5 - Suite No. 5 in G Minor: No. 63, Prélude (Gravement)Marin Marais, Philippe Pierlot, Myriam Rignol, Julien Wolfs
Pièces de viole, Livre 5 - Suite No. 5 in G Minor: No. 64, FantaisieMarin Marais, Philippe Pierlot, Myriam Rignol, Julien Wolfs
Pièces de viole, Livre 5 - Suite No. 5 in G Minor: No. 66, SarabandeMarin Marais, Philippe Pierlot, Myriam Rignol, Julien Wolfs
Pièces de viole, Livre 5 - Suite No. 5 in G Minor: No. 67, Gigue la PagodeMarin Marais, Philippe Pierlot, Myriam Rignol, Julien Wolfs
Pièces de viole, Livre 5 - Suite No. 6 in G Major: No. 86, Gigue la pointilleuse (Très gay)Marin Marais, Philippe Pierlot, Myriam Rignol, Julien Wolfs
Pièces de viole, Livre 5 - Suite No. 6 in G Major: No. 87, Le Joue du volent (Très vivement)Marin Marais, Philippe Pierlot, Myriam Rignol, Julien Wolfs
Pièces de viole, Livre 5 - Suite No. 6 in G Major: No. 84, La TatilloneMarin Marais, Philippe Pierlot, Myriam Rignol, Julien Wolfs
Pièces de viole, Livre 5 - Suite No. 6 in G Major: No. 91, Dialogue (Légèrement)Marin Marais, Philippe Pierlot, Myriam Rignol, Julien Wolfs
Pièces de viole, Livre 5 - Suite No. 6 in G Major: No. 83, ChaconneMarin Marais, Philippe Pierlot, Myriam Rignol, Julien Wolfs
Pièces de viole, Livre 5 - Suite No. 7 in E Minor: No. 92, PréludeMarin Marais, Philippe Pierlot, Myriam Rignol, Julien Wolfs
Pièces de viole, Livre 5 - Suite No. 7 in E Minor: No. 93, Allemande La BeuronMarin Marais, Philippe Pierlot, Myriam Rignol, Julien Wolfs
Pièces de viole, Livre 5 - Suite No. 7 in E Minor: No. 98, SarabandeMarin Marais, Philippe Pierlot, Myriam Rignol, Julien Wolfs
Pièces de viole, Livre 5 - Suite No. 7 in E Minor: No. 96, Gavotte Singuliere - No. 97, Gavotte La MignoneMarin Marais, Philippe Pierlot, Myriam Rignol, Julien Wolfs
Pièces de viole, Livre 5 - Suite No. 7 in E Minor: No. 99, Menuet - No. 100, Second MenuetMarin Marais, Philippe Pierlot, Myriam Rignol, Julien Wolfs
Pièces de viole, Livre 5 - Suite No. 7 in E Minor: No. 106, Le Contraste (Vivement)Marin Marais, Philippe Pierlot, Myriam Rignol, Julien Wolfs
Pièces de viole, Livre 5 - Suite No. 7 in E Minor: No. 102, Marche Persane dite la SavignyMarin Marais, Philippe Pierlot, Myriam Rignol, Julien Wolfs
Pièces de viole, Livre 5 - Suite No. 7 in E Minor: No. 108, Le Tableau de l'Opération de la TailleMarin Marais, Philippe Pierlot, Myriam Rignol, Julien Wolfs
Pièces de viole, Livre 5 - Suite No. 7 in E Minor: No. 109, Les Relevailles - No. 110, Suite (Double) - No. 111, Suite (Double)Marin Marais, Philippe Pierlot, Myriam Rignol, Julien Wolfs
Pièces de viole, Livre 5 - Suite No. 7 in E Minor: No. 101, Resveries MesplaiziennesMarin Marais, Philippe Pierlot, Myriam Rignol, Julien Wolfs
Marin Marais, born in Paris in 1656, was a virtuoso viol player and a prolific composer whose works have left an indelible mark on the Baroque music landscape. His journey began under the tutelage of the renowned Jean-Baptiste Lully and the enigmatic Monsieur de Sainte-Colombe, from whom he absorbed the nuances of the viol. Marais' career flourished at the royal court of Versailles, where he was appointed as a court musician in 1676 and later as ordinaire de la chambre du roy pour la viole in 1679, a position he held until 1725.
Marais' compositions are a testament to his mastery of the viol, with five books of Pièces de viole that showcase his technical prowess and emotional depth. Beyond his viol works, he also composed four operas and various instrumental and vocal pieces, demonstrating his versatility as a composer. His music is notable for its balance between the harmonic idioms of the past and the innovations of his time, making it as relevant today as it was in the 17th and 18th centuries. Marais' legacy extends beyond the concert hall, with his life and music gaining wider recognition through cinematic portrayals, further cementing his status as a central figure in the French school of viol playing.
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Marin Marais
