Dive into the rich tapestry of Baroque music with Jean-Baptiste Lully's "Vivamus in Libero Quod Liber Adhæsit," a captivating collection of instrumental works performed by the Orchestre d’Astarac. Released on August 24, 2020, this album offers a concise yet powerful exploration of Lully's mastery, spanning just 20 minutes but packed with 11 tracks that showcase his genius.
The album features a selection of pieces from various works by Lully, including excerpts from operas and manuscripts. From the lively "Rigaudons" to the majestic "Marche des trompettes," each track is a testament to Lully's ability to blend intricate melodies with rhythmic precision. The album opens with the "Manuscrit de Mademoiselle de La Pierre in C Major," a series of dances that set the tone for the elegance and sophistication that follows.
Highlights include the "Menuet d’Amadis," a delicate and graceful piece, and the dramatic "Descente de Mars," which showcases Lully's dramatic flair. The album also includes selections from Lully's operas, such as "Thésée" and "Le carnival," providing a glimpse into the grandeur of his stage works.
Whether you're a seasoned fan of Baroque music or a newcomer to the genre, "Vivamus in Libero Quod Liber Adhæsit" offers a delightful introduction to the world of Jean-Baptiste Lully. The Orchestre d’Astarac's performance brings these historical pieces to life with clarity and vitality, making this album a treasure for any music enthusiast.
Jean-Baptiste Lully, born in Florence in 1632, was a titan of French Baroque music, despite his Italian roots. His life's work was deeply intertwined with the opulent court of Louis XIV, where he served as a composer, dancer, and instrumentalist. Lully's influence was so profound that he effectively controlled French court music from 1662 onwards, and his style resonated throughout Europe. He is renowned for his operas and his collaborations with the playwright Molière on numerous comédie-ballets, including the iconic "Le Bourgeois gentilhomme."
Lully's contributions to music are vast, with over 40 ballets and a significant body of sacred music to his name. He is credited with founding the French opera genre, creating a unique style of musical declamation that perfectly suited the French language. His tragic death in 1687, resulting from an infection caused by a conducting stick, only adds to the dramatic narrative of his life. Lully's legacy endures, making him a pivotal figure in the history of European music.
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