lully: acis et galatée, lwv 73 - jean-baptiste lully
Lully: Acis et Galatée, LWV 73
Jean-Baptiste Lully
2023
33 tracks
1 uur, 45 min
Album Description
Immerse yourself in the opulent world of French Baroque opera with Jean-Baptiste Lully's "Acis et Galatée, LWV 73," a captivating live recording released on Naxos. This three-act masterpiece, composed in 1686, is based on a libretto by Jean Galbert de Campistron, inspired by Ovid's Metamorphoses. The album, released on October 13, 2023, spans 1 hour and 45 minutes, offering a comprehensive exploration of Lully's musical genius.
Under the baton of Jean-François Lombard, the Orchestre du Maggio Musicale Fiorentino and the Coro Del Maggio Musicale Fiorentino bring Lully's score to life with vibrant energy and historical authenticity. The stellar cast, featuring Elena Harsányi, Luigi De Donato, and Federico Maria Sardelli, delivers a powerful and nuanced performance, showcasing the dramatic range and lyrical beauty of Lully's music.
"Acis et Galatée, LWV 73" is a testament to Lully's enduring influence on the development of French opera. The album features a rich tapestry of arias, choruses, and instrumental pieces, highlighting the composer's mastery of melody, harmony, and orchestration. From the lively overture to the poignant passacaille, each track offers a unique glimpse into the world of 17th-century French opera.
This live recording, captured at the Château de Versailles Spectacles, provides an intimate and authentic experience of Lully's music. The album's high-quality production and engaging performances make it an essential addition to any classical music enthusiast's collection. Whether you're a seasoned opera lover or a curious newcomer, "Acis et Galatée, LWV 73" offers a captivating journey into the world of Jean-Baptiste Lully and the golden age of French Baroque opera.
2023 Naxos Rights (Europe) Ltd2023 Naxos Rights (Europe) Ltd
Tracks
Acis et Galatée, LWV 73, Prologue: Overture - Prélude - LiveJean-Baptiste Lully, Orchestra del Maggio Musicale Fiorentino, Federico Maria Sardelli
Acis et Galatée, LWV 73, Prologue: Qu'avec plaisir je reviens en ces lieux - Prélude - Nous avons préparé pour lui - LiveJean-Baptiste Lully, Orchestra del Maggio Musicale Fiorentino, Federico Maria Sardelli, Valeria La Grotta, Silvia Spessot, Davide Piva, Coro del Maggio Musicale Fiorentino
Acis et Galatée, LWV 73, Prologue: Entrée I. Menuet - Air I - Air II - Entrée II. Marche - LiveJean-Baptiste Lully, Orchestra del Maggio Musicale Fiorentino, Federico Maria Sardelli
Acis et Galatée, LWV 73, Prologue: Dans les jours de réjouissance - LiveJean-Baptiste Lully, Orchestra del Maggio Musicale Fiorentino, Federico Maria Sardelli, Francesca Lombardi Mazzulli, Valeria La Grotta, Mark Van Arsdale, Coro del Maggio Musicale Fiorentino
Acis et Galatée, LWV 73, Prologue: Air - LiveJean-Baptiste Lully, Orchestra del Maggio Musicale Fiorentino, Federico Maria Sardelli
Acis et Galatée, LWV 73, Prologue: Prélude - Apollon en ce jour approuve votre zèle - LiveJean-Baptiste Lully, Orchestra del Maggio Musicale Fiorentino, Federico Maria Sardelli, Sebastian Monti, Coro del Maggio Musicale Fiorentino
Acis et Galatée, LWV 73, Prologue: Apollon flatte nos vœux d'un succès heureux - LiveJean-Baptiste Lully, Orchestra del Maggio Musicale Fiorentino, Federico Maria Sardelli, Coro del Maggio Musicale Fiorentino
Acis et Galatée, LWV 73, Prologue: Air - Menuet - LiveJean-Baptiste Lully, Orchestra del Maggio Musicale Fiorentino, Federico Maria Sardelli
Acis et Galatée, LWV 73, Prologue: Overture (Reprise) - LiveJean-Baptiste Lully, Orchestra del Maggio Musicale Fiorentino, Federico Maria Sardelli
Acis et Galatée, LWV 73, Act I Scenes 1 & 2: Prélude - C'est en vain qu'en ces lieux - Prélude - Vous n'êtes pas le seul - LiveJean-Baptiste Lully, Orchestra del Maggio Musicale Fiorentino, Federico Maria Sardelli, Jean-Francois Lombard, Sebastian Monti
Acis et Galatée, LWV 73, Act I Scenes 3 & 4: Prélude - Faudra-t-il encore vous attendre - Ritournelle - J'ai cru trouver ici la Nymphe qui m'est chère - LiveJean-Baptiste Lully, Orchestra del Maggio Musicale Fiorentino, Federico Maria Sardelli, Elena Harsányi, Jean-Francois Lombard
Acis et Galatée, LWV 73, Act I Scene 5: Quoi ? M'arrêterez-vous en dépit de moi-même ? - LiveJean-Baptiste Lully, Orchestra del Maggio Musicale Fiorentino, Federico Maria Sardelli, Valeria La Grotta, Elena Harsányi, Sebastian Monti, Jean-Francois Lombard
Acis et Galatée, LWV 73, Act I Scene 6: Que l'amour qui nous enchaîne - LiveJean-Baptiste Lully, Orchestra del Maggio Musicale Fiorentino, Federico Maria Sardelli, Francesca Lombardi Mazzulli, Mark Van Arsdale, Coro del Maggio Musicale Fiorentino
Acis et Galatée, LWV 73, Act I Scene 6: Air I - Que les plus galantes fêtes - Air II - LiveJean-Baptiste Lully, Orchestra del Maggio Musicale Fiorentino, Federico Maria Sardelli, Francesca Lombardi Mazzulli, Coro del Maggio Musicale Fiorentino
Acis et Galatée, LWV 73, Act I Scene 6: Marche pour l'entrée de Polyphème - Le fier Polyphème s'avance - LiveJean-Baptiste Lully, Orchestra del Maggio Musicale Fiorentino, Federico Maria Sardelli, Valeria La Grotta
Acis et Galatée, LWV 73, Act I Scene 7: Je regarde partout - Que tardons-nous ? - Prélude - Vous voyez - LiveJean-Baptiste Lully, Orchestra del Maggio Musicale Fiorentino, Federico Maria Sardelli, Elena Harsányi, Luigi De Donato
Acis et Galatée, LWV 73, Act I Scene 8: Tout ce que vous voyez reconnaît mon pouvoir - Entr'acte - LiveJean-Baptiste Lully, Orchestra del Maggio Musicale Fiorentino, Federico Maria Sardelli, Elena Harsányi, Luigi De Donato
Acis et Galatée, LWV 73, Act II Scene 1: Ritournelle - Quoi ? Vous avez promis d'assister à la fête que Polyphème vous apprête ? - LiveJean-Baptiste Lully, Orchestra del Maggio Musicale Fiorentino, Federico Maria Sardelli, Elena Harsányi, Jean-Francois Lombard
Acis et Galatée, LWV 73, Act II Scenes 2, 3 & 4: De mon fidèle amant - Quelque fureur qui l'inspire - Quelle erreur loin de nous précipite ses pas ! - LiveJean-Baptiste Lully, Orchestra del Maggio Musicale Fiorentino, Federico Maria Sardelli, Elena Harsányi, Valeria La Grotta, Jean-Francois Lombard, Sebastian Monti
Acis et Galatée, LWV 73, Act II Scene 5: Chaconne - Qu'une injuste fierté nous cause des contraintes et tyrannise nos désirs ! - LiveJean-Baptiste Lully, Orchestra del Maggio Musicale Fiorentino, Federico Maria Sardelli, Elena Harsányi
Acis et Galatée, LWV 73, Act II Scene 6: Entrée de Polyphème et de sa suite. Marche - Qu'à l'envi chacun se presse - LiveJean-Baptiste Lully, Orchestra del Maggio Musicale Fiorentino, Federico Maria Sardelli, Luigi De Donato, Coro del Maggio Musicale Fiorentino
Acis et Galatée, LWV 73, Act II Scene 6: Entrée des cyclopes. Air II - LiveJean-Baptiste Lully, Orchestra del Maggio Musicale Fiorentino, Federico Maria Sardelli
Acis et Galatée, LWV 73, Act II Scenes 6 & 7: Je suis content de votre zèle - Chaque moment me tue - Entr'acte - LiveJean-Baptiste Lully, Orchestra del Maggio Musicale Fiorentino, Federico Maria Sardelli, Elena Harsányi, Luigi De Donato
Acis et Galatée, LWV 73, Act III Scene 1: Symphonie - Vous qui dans ces lieux solitaires - LiveJean-Baptiste Lully, Orchestra del Maggio Musicale Fiorentino, Federico Maria Sardelli, Sebastian Monti, Coro del Maggio Musicale Fiorentino
Acis et Galatée, LWV 73, Act III Scenes 2, 3 & 4: Les voici , ces tendres amants - Que vois-je ? - Fuyons sa violence extrême - LiveJean-Baptiste Lully, Orchestra del Maggio Musicale Fiorentino, Federico Maria Sardelli, Elena Harsányi, Jean-Francois Lombard, Sebastian Monti, Luigi De Donato, Coro del Maggio Musicale Fiorentino
Acis et Galatée, LWV 73, Act III Scenes 5 & 6: Prélude - Quel chemin ont-ils pris - Allez , éloignez-vous - Prélude - Il est mort - LiveJean-Baptiste Lully, Orchestra del Maggio Musicale Fiorentino, Federico Maria Sardelli, Elena Harsányi, Jean-Francois Lombard, Luigi De Donato
Acis et Galatée, LWV 73, Act III Scene 7: Prélude - Enfin , j'ai dissipé la crainte - Prélude - Que ne puis-je expirer - LiveJean-Baptiste Lully, Orchestra del Maggio Musicale Fiorentino, Federico Maria Sardelli, Elena Harsányi
Acis et Galatée, LWV 73, Act III Scene 7: Prélude - Poursuivons le géant - Prélude - Puissantes Divinités ! - LiveJean-Baptiste Lully, Orchestra del Maggio Musicale Fiorentino, Federico Maria Sardelli, Elena Harsányi
Acis et Galatée, LWV 73, Act III Scene 8: Prélude - Je sors de mes grottes profondes - LiveJean-Baptiste Lully, Orchestra del Maggio Musicale Fiorentino, Federico Maria Sardelli, Guido Loconsolo, Coro del Maggio Musicale Fiorentino
Acis et Galatée, LWV 73, Act III Scene 9: Prélude - Que votre sang se change - LiveJean-Baptiste Lully, Orchestra del Maggio Musicale Fiorentino, Federico Maria Sardelli, Elena Harsányi, Jean-Francois Lombard, Guido Loconsolo
Acis et Galatée, LWV 73, Act III Scene 9: Passacaille - LiveJean-Baptiste Lully, Orchestra del Maggio Musicale Fiorentino, Federico Maria Sardelli
Acis et Galatée, LWV 73, Act III Scene 9: Sous ses lois l'amour veut qu'on jouisse - LiveJean-Baptiste Lully, Orchestra del Maggio Musicale Fiorentino, Federico Maria Sardelli, Francesca Lombardi Mazzulli, Valeria La Grotta, Coro del Maggio Musicale Fiorentino
Acis et Galatée, LWV 73, Act III Scene 9: Passacaille - Sous ses lois l'amour veut qu'on jouisse (Reprise) - LiveJean-Baptiste Lully, Orchestra del Maggio Musicale Fiorentino, Federico Maria Sardelli, Coro del Maggio Musicale Fiorentino
Jean-Baptiste Lully, born in Florence in 1632, was a titan of French Baroque music, despite his Italian roots. His life's work was deeply intertwined with the opulent court of Louis XIV, where he served as a composer, dancer, and instrumentalist. Lully's influence was so profound that he effectively controlled French court music from 1662 onwards, and his style resonated throughout Europe. He is renowned for his operas and his collaborations with the playwright Molière on numerous comédie-ballets, including the iconic "Le Bourgeois gentilhomme."
Lully's contributions to music are vast, with over 40 ballets and a significant body of sacred music to his name. He is credited with founding the French opera genre, creating a unique style of musical declamation that perfectly suited the French language. His tragic death in 1687, resulting from an infection caused by a conducting stick, only adds to the dramatic narrative of his life. Lully's legacy endures, making him a pivotal figure in the history of European music.