Lovefield

Album Description

Dive into the eclectic soundscape of "Lovefield," the 2007 masterpiece from the innovative collective Centrozoon. This album, released on October 23, 2007, via Unsung Records, is a captivating blend of jazz fusion, mathcore, and art rock, all seamlessly woven into a cohesive and intriguing listening experience. With a runtime of 55 minutes, "Lovefield" consists of five meticulously crafted tracks titled "Field 1" through "Field 5," each offering a unique journey through the band's experimental and textural approach to music.

"Lovefield" marks a return to a more minimalistic style for Centrozoon, showcasing their ability to create depth and complexity with simplicity. The album is a testament to the band's versatility, blending intricate rhythms and ambient textures to create a sonic landscape that is both engaging and thought-provoking. Whether you're a fan of jazz fusion, mathcore, or art rock, "Lovefield" offers a fresh and exciting perspective that will keep you coming back for more. Don't miss out on this essential addition to your music collection.

October 23, 2007

2007 Unsung Records / centrozoon

About Centrozoon

Centrozoon, the innovative German electronic improvisational duo, pushes the boundaries of music with their unique and ever-evolving sound. Comprised of Markus Reuter on Warr touch guitar, loops, and programming, and Bernhard Wöstheinrich on keyboards, Centrozoon blends ambient, electronica, progressive rock, and IDM into a captivating sonic experience. Since their formation in 1996, the duo has been exploring the possibilities and extremes of sound, creating rich and dense soundscapes that often incorporate free-improvisational, free-tonal, and microtonal elements. Centrozoon's music is not just about listening; it's about exploring the very essence of sound and challenging the conventional borders of music itself. Their discography, which includes albums like "Never Trust the Note You Play," is a testament to their artistic journey and their commitment to pushing musical boundaries.