Dive into the captivating world of 17th-century English music with "Locke: Consorts Flat and Sharp," the latest release from the virtuoso violists of Phantasm, showcasing the brilliant polyphony of Matthew Locke. This album, released on January 26, 2024, via Linn Records, is a testament to the radical and unconventional soundscapes that Locke is renowned for, offering a rich tapestry of consorts that blend both flat and sharp keys in a harmonious dialogue.
The album features a collection of suites from Locke's "The Flat Consort for My Cousin Kemble" and "The Little Consort," each suite meticulously crafted to explore the depths of Locke's compositional genius. From the intricate "Fantazie" and "Galliard" to the stately "Pavan" and the lively "Courante," every track is a journey through the vibrant and dynamic musical landscape of the 17th century.
With a duration of 57 minutes, "Locke: Consorts Flat and Sharp" is a bold and beautiful recording that highlights the virtuosity of Phantasm and the timeless appeal of Matthew Locke's music. Whether you're a seasoned enthusiast of early music or a newcomer to the genre, this album promises an enriching and immersive experience, showcasing the enduring brilliance of one of England's greatest composers.
2024 Outhere2024 Linn Records
Tracks
The Flat Consort for My Cousin Kemble, Suite No. 5 in A Minor and A Major: I. FantazieMatthew Locke, Phantasm, Elizabeth Kenny
The Flat Consort for My Cousin Kemble, Suite No. 5 in A Minor and A Major: II. GalliardMatthew Locke, Phantasm, Elizabeth Kenny
The Flat Consort for My Cousin Kemble, Suite No. 5 in A Minor and A Major: III. FantazieMatthew Locke, Phantasm, Elizabeth Kenny
The Flat Consort for My Cousin Kemble, Suite No. 5 in A Minor and A Major: IV. SarabandMatthew Locke, Phantasm, Elizabeth Kenny
The Little Consort, Suite No. 10 in D Minor and D Major: I. PavanMatthew Locke, Phantasm, Elizabeth Kenny
The Little Consort, Suite No. 10 in D Minor and D Major: II. AyreMatthew Locke, Phantasm, Elizabeth Kenny
The Little Consort, Suite No. 10 in D Minor and D Major: III. CouranteMatthew Locke, Phantasm, Elizabeth Kenny
The Little Consort, Suite No. 10 in D Minor and D Major: IV. SarabandMatthew Locke, Phantasm, Elizabeth Kenny
The Little Consort, Suite No. 7 in G Minor and G Major: I. PavanMatthew Locke, Phantasm, Elizabeth Kenny
The Little Consort, Suite No. 7 in G Minor and G Major: II. AyreMatthew Locke, Phantasm, Elizabeth Kenny
The Little Consort, Suite No. 7 in G Minor and G Major: III. CouranteMatthew Locke, Phantasm, Elizabeth Kenny
The Little Consort, Suite No. 7 in G Minor and G Major: IV. SarabandMatthew Locke, Phantasm, Elizabeth Kenny
The Little Consort, Suite No. 9 in B-Flat Major: I. PavanMatthew Locke, Phantasm, Elizabeth Kenny
The Little Consort, Suite No. 9 in B-Flat Major: II. AyreMatthew Locke, Phantasm, Elizabeth Kenny
The Little Consort, Suite No. 9 in B-Flat Major: III. CouranteMatthew Locke, Phantasm, Elizabeth Kenny
The Little Consort, Suite No. 9 in B-Flat Major: IV. SarabandMatthew Locke, Phantasm, Elizabeth Kenny
The Flat Consort for My Cousin Kemble, Suite No. 3 in D Minor: I. FantazieMatthew Locke, Phantasm, Elizabeth Kenny
The Flat Consort for My Cousin Kemble, Suite No. 3 in D Minor: II. CouranteMatthew Locke, Phantasm, Elizabeth Kenny
The Flat Consort for My Cousin Kemble, Suite No. 3 in D Minor: III. FantazieMatthew Locke, Phantasm, Elizabeth Kenny
The Flat Consort for My Cousin Kemble, Suite No. 3 in D Minor: IV. SarabandMatthew Locke, Phantasm, Elizabeth Kenny
The Little Consort, Suite No. 8 in A Minor: I. PavanMatthew Locke, Phantasm, Elizabeth Kenny
The Little Consort, Suite No. 8 in A Minor: II. AyreMatthew Locke, Phantasm, Elizabeth Kenny
The Little Consort, Suite No. 8 in A Minor: III. CouranteMatthew Locke, Phantasm, Elizabeth Kenny
The Little Consort, Suite No. 8 in A Minor: IV. SarabandMatthew Locke, Phantasm, Elizabeth Kenny
The Little Consort, Suite No. 6 in F Major: I. PavanMatthew Locke, Phantasm, Elizabeth Kenny
The Little Consort, Suite No. 6 in F Major: II. AyreMatthew Locke, Phantasm, Elizabeth Kenny
The Little Consort, Suite No. 6 in F Major: III. CouranteMatthew Locke, Phantasm, Elizabeth Kenny
The Little Consort, Suite No. 6 in F Major: IV. SarabandMatthew Locke, Phantasm, Elizabeth Kenny
The Flat Consort for My Cousin Kemble, Suite No. 4 in B-Flat Major: I. FantazieMatthew Locke, Phantasm, Elizabeth Kenny
The Flat Consort for My Cousin Kemble, Suite No. 4 in B-Flat Major: II. GalliardMatthew Locke, Phantasm, Elizabeth Kenny
The Flat Consort for My Cousin Kemble, Suite No. 4 in B-Flat Major: III. FantazieMatthew Locke, Phantasm, Elizabeth Kenny
The Flat Consort for My Cousin Kemble, Suite No. 4 in B-Flat Major: IV. SarabandMatthew Locke, Phantasm, Elizabeth Kenny
Matthew Locke, born around 1621 in Exeter, England, was a pioneering figure in the world of English Baroque music, leaving an indelible mark as a composer and music theorist. His career spanned a tumultuous period, including the English Civil War, yet his compositions remained steadfast in their innovation and beauty. Trained as a chorister at Exeter Cathedral under the tutelage of Edward Gibbons, Locke's early musical education laid the foundation for his future accomplishments. His work is noted for its structural complexity and rule-bending tendencies, earning him comparisons to the renowned Italian composer Carlo Gesualdo. Locke's contributions to stage music were particularly significant, establishing him as a leading composer before the era of Henry Purcell. His legacy endures, captivating audiences with its timeless elegance and historical depth.
Vinylscout
Matthew Locke
