Live in Wiesbaden

Album Description

Peter Brötzmann's 'Live in Wiesbaden' is a captivating album that showcases the German jazz saxophonist and clarinetist's mastery of free jazz and avant-garde music. Released on 8 December 2011 via NotTwo records, this live album features five mesmerising tracks: 'Productive Cough', 'The Steady Hand as Planned', 'Buddy Wrapping', 'Song for Fred', and 'Cute Cuts'. With a duration of one hour and one minute, Brötzmann takes the listener on a sonic journey, demonstrating his skill and artistry on the tenor saxophone, alto saxophone, clarinet, and tárogató.

Recorded during a concert for the Kooperative New Jazz Wiesbaden at the Thalhaus on 24 June 2009, 'Live in Wiesbaden' is a testament to Brötzmann's innovative and pioneering spirit in European free jazz. As a central figure in the genre, he has collaborated with numerous key musicians, including Derek Bailey, Anthony Braxton, and Cecil Taylor. This album, featuring Jörg Fischer, is a prime example of Brötzmann's ability to create complex, improvised compositions that push the boundaries of jazz and beyond.

With its unique blend of free jazz and avant-garde elements, 'Live in Wiesbaden' is an essential listen for fans of experimental music. Peter Brötzmann's remarkable talent and dedication to his craft are evident throughout the album, making it a must-have for anyone interested in the workings of a true jazz legend.

December 8, 2011

2011 NotTwo

About Peter Brötzmann

Peter Brötzmann, a titan of European free jazz, was a saxophonist and clarinetist whose powerful and uncompromising playing style left an indelible mark on the genre. Born in Remscheid, Germany, Brötzmann's journey into jazz began at the age of 13, inspired by a transformative concert by Sidney Bechet. Throughout his career, he released over fifty albums as a bandleader, collaborating with legendary figures such as Derek Bailey, Anthony Braxton, and Cecil Taylor, as well as experimental musicians like Keiji Haino and Charles Hayward. His 1968 album "Machine Gun" is hailed as a landmark of 20th-century free jazz, showcasing his radical and energetic approach to music. Brötzmann's playing was known for its intensity and raw emotional power, yet he could also deliver subtle and tender sounds, demonstrating his versatility and depth as an artist. His music was a reflection of his compassionate nature and deep connection to the natural world, breaking down barriers and exploring the beauty of life. Brötzmann's influence on free jazz is immeasurable, and his legacy continues to inspire musicians and enthusiasts alike.