Captured live at the iconic Knitting Factory in New York on November 11, 1987, this album showcases Roscoe Mitchell and his Sound Ensemble in a raw, unfiltered performance that encapsulates the spirit of free jazz and avant-garde music. Released in 1990 on the prestigious Black Saint label, this recording is a testament to Mitchell's mastery of the saxophone, featuring him on soprano, alto, and tenor saxophones. The album's nine tracks, including standout pieces like "Almost Like Raindrops" and "Nonaah," offer a dynamic range of compositions and improvisations that highlight the ensemble's collective virtuosity. From the intricate "Bass Solo From The Composition Sing" to the powerful "Trumpet Solo From The Composition Rock Out," each track is a journey into the depths of experimental jazz. The album's duration of one hour ensures a comprehensive exploration of Mitchell's innovative approach to music, making it an essential addition to any jazz enthusiast's collection.
Roscoe Mitchell is a pioneering figure in the world of avant-garde jazz, renowned for his innovative compositions and virtuosic performances on multiple woodwind instruments, with a particular mastery of the saxophone. Born in Chicago in 1940, Mitchell has been at the forefront of modern music for over half a century, co-founding both the Art Ensemble of Chicago and the Association for the Advancement of Creative Musicians (AACM). His work is characterized by a deliberate and methodical approach that pushes the boundaries of improvisation, earning him accolades as one of the key figures in avant-garde jazz. Mitchell's contributions extend beyond performance; he is also a respected educator and musical thinker, currently serving as the Darius Milhaud Chair of Composition at Mills College. With a career spanning over five decades, Mitchell continues to inspire and influence the jazz world, blending composition and improvisation in groundbreaking ways.
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