Experience the electrifying energy of a live jazz performance with Harry "Sweets" Edison's "Live At The Iridium," recorded over two unforgettable nights in April 1997 at the iconic Iridium Jazz Club in New York City. This album captures the essence of a legendary evening featuring Harry "Sweets" Edison, a master of the trumpet, alongside fellow jazz greats Clark Terry, Frank Wess, and Junior Mance.
"Live At The Iridium" is a testament to the enduring power of live jazz, showcasing eight timeless tracks that highlight the virtuosity and improvisational genius of these seasoned musicians. From the sultry "Helena's Theme" to the upbeat "Mean Greens" and the smooth "Sweets Bossa," each song is a masterclass in hard bop and bebop, genres that have defined the jazz landscape for decades. The album's duration of one hour ensures that every moment is filled with rich, soulful melodies and dynamic performances that will captivate jazz enthusiasts and newcomers alike.
This live recording is a rare opportunity to experience the raw, unfiltered talent of Harry "Sweets" Edison and his fellow musicians, making it a standout addition to any jazz collection. The album's release on Telarc in November 1997 further cemented its place in jazz history, offering a glimpse into a night that will forever be remembered in the annals of live jazz performances.
Harry "Sweets" Edison, born in Columbus, Ohio, in 1915, was a jazz trumpeter whose smooth and lyrical playing style earned him a legendary status in the swing and big band eras. Edison's nickname, "Sweets," reflected not only his sweet tooth and charming personality but also the tender, supple quality of his trumpet playing. He began his career in the late 1930s as a key member of the Count Basie Orchestra, where he honed his skills as both a section trumpeter and a soloist.
Edison's most enduring contributions came from his work as a Hollywood studio musician, where his muted trumpet became a staple in the recordings of iconic singers like Frank Sinatra and Ella Fitzgerald. His distinctive, chrome-tinged obbligatos added a touch of elegance and sophistication to countless jazz-pop recordings. Edison's discography includes notable albums such as "Sweets" (1956), "Sweetenings" (1958), and "Patented by Edison" (1960), each showcasing his unique style and versatility.
Beyond his studio work, Edison was also a prolific solo artist, releasing several albums that highlighted his mastery of the trumpet. His playing, characterized by its warmth and precision, left an indelible mark on the jazz world. Edison's legacy endures as a testament to his artistry and his significant contributions to the rich tapestry of jazz and popular music.
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