Immerse yourself in the virtuoso world of Franz Liszt with this captivating collection of his works for piano and orchestra. Recorded in 1980 and released under Warner Classics, this album showcases Liszt's brilliance through his two renowned piano concertos, the haunting "Totentanz" (Dance of Death), and the vibrant "Hungarian Fantasy." The album spans a generous 2 hours and 25 minutes, offering a comprehensive journey through Liszt's orchestral and pianistic genius.
The album opens with Liszt's Piano Concerto No. 1 in E-Flat Major, a piece that exemplifies his lyrical and dramatic prowess. The concerto is followed by the more introspective and technically demanding Piano Concerto No. 2 in A Major. These concertos are not just showcases for the pianist's skill but also profound explorations of emotion and structure.
"Totentanz," a work that blends the macabre with the majestic, is a highlight of the album. Its intricate variations and dramatic intensity make it a standout piece. The "Hungarian Fantasy" is another gem, incorporating themes from Liszt's famous Hungarian Rhapsodies and offering a vivid portrayal of Hungarian folk music.
The album also includes other notable works such as the "Fantasy on Motifs from Beethoven's Ruins of Athens," the "Polonaise brillante," and the "Grande fantaisie symphonique d'après des thèmes du Lélio de Berlioz." Each piece is performed with precision and passion by pianist Michel Béroff, accompanied by the Gewandhausorchester Leipzig under the direction of Kurt Masur.
This collection is a testament to Liszt's enduring influence and his ability to push the boundaries of musical expression. Whether you're a seasoned classical music enthusiast or a newcomer to Liszt's works, this album offers a rich and rewarding listening experience.
Liszt: Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestosoFranz Liszt, Michel Béroff, Kurt Masur, Gewandhausorchester
Liszt: Piano Concerto No. 1 in E-Flat Major, S. 124: II. Quasi adagioFranz Liszt, Michel Béroff, Kurt Masur, Gewandhausorchester
Liszt: Piano Concerto No. 1 in E-Flat Major, S. 124: III. Allegretto vivaceFranz Liszt, Michel Béroff, Kurt Masur, Gewandhausorchester
Liszt: Piano Concerto No. 1 in E-Flat Major, S. 124: IV. Allegro marziale animatoFranz Liszt, Michel Béroff, Kurt Masur, Gewandhausorchester
Liszt: Piano Concerto No. 2 in A Major, S. 125: I. Adagio sostenuto assai -Franz Liszt, Michel Béroff, Kurt Masur, Gewandhausorchester
Liszt: Piano Concerto No. 2 in A Major, S. 125: II. Allegro agitato assai - Un poco più mosso - Tempo del andante -Franz Liszt, Michel Béroff, Kurt Masur, Gewandhausorchester
Liszt: Piano Concerto No. 2 in A Major, S. 125: III. Allegro deciso - Marziale un poco meno allegroFranz Liszt, Michel Béroff, Kurt Masur, Gewandhausorchester
Liszt: Piano Concerto No. 2 in A Major, S. 125: IV. Allegro deciso -Franz Liszt, Michel Béroff, Kurt Masur, Gewandhausorchester
Liszt: Piano Concerto No. 2 in A Major, S. 125: V. Marziale un poco meno allegro - Un poco animato - Un poco meno mosso -Franz Liszt, Michel Béroff, Kurt Masur, Gewandhausorchester
Liszt: Piano Concerto No. 2 in A Major, S. 125: VI. Allegro animatoFranz Liszt, Michel Béroff, Kurt Masur, Gewandhausorchester
Liszt: Franz Schuberts Grosse Wanderer-Fantasie, S. 366Franz Liszt, Michel Béroff, Kurt Masur, Gewandhausorchester
Liszt: Polonaise brillante, S. 367 "L'hilarité" (After Weber's Op. 72)Franz Liszt, Michel Béroff, Kurt Masur, Gewandhausorchester
Liszt: Hungarian Fantasy, S. 123Franz Liszt, Michel Béroff, Kurt Masur, Gewandhausorchester
Liszt: Fantasie über Motiven aus Beethovens Ruinen von Athen, S. 122Franz Liszt, Michel Béroff, Kurt Masur, Gewandhausorchester
Liszt: Grande fantaisie symphonique d'après des thèmes du Lélio de Berlioz, S. 120Franz Liszt, Michel Béroff, Kurt Masur, Gewandhausorchester
Liszt: Malédiction, S. 121Franz Liszt, Michel Béroff, Kurt Masur, Gewandhausorchester
Liszt: Totentanz, S. 126Franz Liszt, Michel Béroff, Kurt Masur, Gewandhausorchester