Leighton: Sonatina No. 2, Five Studies, Fantasia contrappuntistica, Pieces for Angela & Four Romantic Pieces

Album Description

Immerse yourself in the captivating world of Kenneth Leighton's piano compositions with this exquisite collection, released in 2000 under the Chandos label. Spanning a duration of 1 hour and 7 minutes, this album is a testament to Leighton's mastery of the piano repertoire, showcasing his lucid writing and wide emotional range.

The album opens with the charming "Sonatina No. 2," a piece that exemplifies Leighton's ability to craft engaging and accessible piano music. Following this, the "Five Studies, Op. 22" delve into a richer, more introspective side of Leighton's compositional style, with each study offering a unique exploration of piano technique and expression.

A highlight of the collection is the "Fantasia contrappuntistica, Op. 24," subtitled "Homage to Bach." This multi-movement work pays tribute to the Baroque master while showcasing Leighton's own contrapuntal prowess. The fantasia's varied movements, from the majestic opening to the lively fugues, demonstrate Leighton's versatility and deep understanding of musical structure.

The whimsical "Pieces for Angela, Op. 47" offer a delightful contrast, with titles like "Clockwork Doll" and "Leap-Frog" hinting at the playful nature of these miniatures. The collection concludes with the "Four Romantic Pieces, Op. 95," which encapsulate the romantic spirit in a series of evocative and lyrical movements.

Throughout the album, Margaret Fingerhut's virtuoso piano playing brings Leighton's compositions to life, ensuring an enchanting and memorable listening experience. Whether you're a seasoned classical enthusiast or a newcomer to Kenneth Leighton's music, this album is sure to captivate and inspire.

April 1, 2000

2000 Chandos Records

About Kenneth Leighton

Kenneth Leighton, born in Wakefield in 1929, was a prolific British composer and pianist whose musical journey took him from the choir stalls of Wakefield Cathedral to the esteemed halls of Oxford and Edinburgh universities. Throughout his career, Leighton composed over 100 works, with a particular penchant for vocal and sacred music. His compositions span a wide range of genres, including church and choral music, instrumental pieces, chamber music, concertos, symphonies, and even an opera. Leighton's sacred choral works are particularly notable, reflecting his deep engagement with religious texts and his mastery of the choral form. His organ works, ranging from expressive to exuberant, showcase his versatility and depth as a composer. Leighton's legacy endures in his extensive body of work, which continues to inspire and move audiences with its emotional resonance and technical brilliance.