"Le mensonge et l’identité" is a captivating and innovative album by Jean Derome, released on February 21, 2011, under the Collection QB label. This avant-garde and free jazz masterpiece is a collaborative work with Joane Hétu, commissioned and premiered by the renowned Quatuor Bozzini at the Forum Neue Musik in Cologne in 2008. The album is a three-movement composition that pushes the boundaries of traditional string quartet performances, incorporating spoken word, improvisation, and stereo fixed medium elements.
The album's title, translating to "The Lie and the Identity," sets the stage for a thought-provoking exploration of truth and self. The first movement is a complex and engaging journey through various segments, each with its unique character and title, such as "Le relais," "Demi-vérité A," and "ADN-Spirales." The second movement introduces pulsating rhythms and melodic DNA sequences, while the third movement delves into folkloric inspirations and intricate string arrangements.
With a total duration of 1 hour and 3 minutes, "Le mensonge et l’identité" offers a rich and immersive listening experience. The album showcases Jean Derome's and Joane Hétu's exceptional compositional skills and their ability to blend avant-garde and free jazz elements seamlessly. The Quatuor Bozzini's masterful performance brings this ambitious work to life, making it a standout piece in the contemporary classical and jazz genres. Whether you're a seasoned aficionado of avant-garde music or a curious explorer, this album promises a unique and rewarding experience.
Jean Derome, the innovative French-Canadian saxophonist, flautist, and composer, is a towering figure in Montreal's avant-garde and free jazz scenes. Born on June 29, 1955, Derome has been a pioneer in creative music, known for his eclectic approach and collaborative spirit. He has worked extensively with fellow musician René Lussier, and his discography is a testament to his versatility and experimental prowess. With a career spanning decades, Derome has earned accolades such as the 1992 Freddie Stone Award, cementing his reputation as a master of sound manipulation. His work, including albums like "Strand, Under the Dark Cloth," invites listeners into a world of intricate soundscapes and bold improvisation, making him a must-experience artist for any fan of avant-garde music.
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