Immerse yourself in the rich, polyphonic tapestry of the late Renaissance with Orlande de Lassus' "Lassus: Missa super Dixit Joseph & Motets." Released in 2015, this album is a testament to the composer's mastery of the sacred choral form, showcasing his vivid and often somber musical storytelling. The centerpiece of the album is the "Missa super Dixit Joseph," a parody mass based on Lassus's own motet, which narrates the biblical story of Joseph and Jacob. This intricate and luxurious mass is performed with pure-toned precision by the ensemble Cinquecento, capturing the essence of late Renaissance polyphony.
The album also features a collection of motets, each offering a unique exploration of sacred themes. From the penitential "In me transierunt irae tuae" to the tender "Veni dilecte mi," these pieces demonstrate Lassus's ability to convey a wide range of emotions through his music. The somber "O mors, quam amara est memoria tua" and the triumphant "Deus, canticum novum" further highlight the composer's versatility and depth.
With a duration of just over an hour, this album offers a comprehensive journey through Lassus's sacred choral works. Whether you're a seasoned fan of medieval and choral music or a newcomer to the genre, "Lassus: Missa super Dixit Joseph & Motets" is a compelling exploration of one of the most prolific and influential composers of the Renaissance.
Orlande de Lassus, born around 1532, was a titan of the late Renaissance, celebrated as one of the most influential composers of his time. A master of the Franco-Flemish polyphonic style, Lassus's music is renowned for its technical brilliance and emotional depth, earning him a place among the greats like Palestrina and Victoria. His prolific output spans a wide range of genres, from sacred motets and masses to secular madrigals, each piece showcasing his unparalleled skill in weaving intricate vocal lines. Lassus's music, with its rich harmonies and expressive melodies, continues to captivate audiences, offering a profound and moving journey through the sounds of the Renaissance.
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