Immerse yourself in the timeless beauty of Renaissance polyphony with "Lasso: Cantiones Duarum Vocum," a captivating collection of sacred choral works by the renowned Orlande de Lassus. Released in 2013, this album presents a selection of Lassus' "Cantiones duum vocum," a series of motets for two voices composed in Munich in 1577. These pieces, characterized by their intricate vocal interplay and spiritual depth, showcase Lassus' mastery of the motet form and his ability to create profound musical expressions of faith.
The album features a diverse range of motets, each offering a unique blend of vocal textures and harmonic richness. From the contemplative "Beatus vir qui in sapientia morabitur" to the jubilant "Fulgebunt iusti sicut lilium," the motets on this album span a wide spectrum of moods and themes, providing a comprehensive overview of Lassus' choral artistry. The performances, by an ensemble of skilled vocalists, bring out the subtle nuances and expressive power of Lassus' compositions, making this album a treasure trove for lovers of Renaissance music.
With a duration of 41 minutes, "Lasso: Cantiones Duarum Vocum" is a concise yet comprehensive exploration of Lassus' two-voice motets. The album's medieval and choral genres, coupled with its roots in Gregorian chant, make it an essential addition to any collection of Renaissance vocal music. Whether you're a seasoned enthusiast of early music or a newcomer to the genre, this album offers a rewarding listening experience that highlights the enduring appeal of Orlande de Lassus' musical legacy.
2012 Tactus2012 Tactus
Tracks
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 1. Beatus vir qui in sapientia morabiturOrlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 18. —Orlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 12. —Orlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 15. —Orlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 16. —Orlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 19. —Orlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 4. Iustus cor suum tradet ad vigilandumOrlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 14. —Orlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 8. Sancti mei qui in isto seculoOrlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 10. Serve bone et fidelisOrlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 11. Fulgebunt iusti sicut liliumOrlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 5. Expectatio iustorum laetitiaOrlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 23. —Orlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 13. —Orlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 22. —Orlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 2. Beatus homo qui invenit sapientiamOrlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 17. —Orlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 24. —Orlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 3. Oculus non vidit, nec auris audivitOrlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 6. Qui sequitur me, non ambulat in tenebrisOrlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 9. Qui vult venire post meOrlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 21. —Orlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 7. Iusti tulerunt spolia impiorumOrlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 20. —Orlande de Lassus, Paolo Tognon, Claudio Verh
Orlande de Lassus, born around 1532, was a titan of the late Renaissance, celebrated as one of the most influential composers of his time. A master of the Franco-Flemish polyphonic style, Lassus's music is renowned for its technical brilliance and emotional depth, earning him a place among the greats like Palestrina and Victoria. His prolific output spans a wide range of genres, from sacred motets and masses to secular madrigals, each piece showcasing his unparalleled skill in weaving intricate vocal lines. Lassus's music, with its rich harmonies and expressive melodies, continues to captivate audiences, offering a profound and moving journey through the sounds of the Renaissance.
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Orlande de Lassus
