Laid Back And Blues

Larry Coryell's 'Laid Back And Blues' is a captivating jazz masterpiece, released on 22 August 2006 under Rhombus Records. This hour-long album is a testament to Coryell's skill in blending genres, effortlessly merging jazz fusion, smooth jazz, and traditional jazz to create a unique sound.

The tracklist is a thoughtful curation of originals and reimagined classics, including the soulful 'No More Booze Minor Blues', the melancholic 'Tracey', and the iconic 'Body & Soul'. Coryell's rendition of 'Gimme One Reason/Rock Me Baby' showcases his ability to breathe new life into familiar tunes, while 'Straight No Chaser' and 'The Dragon's Grate' demonstrate his innovative approach to jazz. The album's closing track, 'No Exactly Like BB', is a nod to the legendary B.B. King, highlighting Coryell's deep respect for the genre's heritage.

Throughout 'Laid Back And Blues', Larry Coryell's exceptional guitar work and expressive playing style take centre stage, guiding the listener through a rich tapestry of emotions and moods. With its perfect balance of laid-back grooves and sophisticated jazz sensibilities, this album is sure to delight fans of the genre and leave a lasting impression on all who experience it.

Larry Coryell, often hailed as the "godfather of fusion," was an American jazz guitarist whose innovative spirit and virtuosic skills left an indelible mark on the music world. Born in Galveston, Texas, Coryell was a pioneer in blending jazz, country, and rock, creating a unique sound that resonated with audiences worldwide. His collaborations with legendary musicians like John McLaughlin, Chick Corea, and Paco de Lucía showcased his versatility and musical prowess. Beyond his performances, Coryell was also a dedicated educator and writer, contributing a monthly column to Guitar Player magazine for over a decade. With his band The Eleventh House, he helped shape the jazz-rock genre, leaving behind a rich legacy of improvisational brilliance and timeless compositions. Coryell's final concert recording, "The Last Call," serves as a poignant reminder of his enduring impact on the world of jazz and jazz-rock.