La Rue: Chansons From the Album of Margaret of Austria

Album Description

Immerse yourself in the rich tapestry of medieval choral music with Pierre de la Rue's "La Rue: Chansons From the Album of Margaret of Austria." Released on July 15, 2014, under the Hungaroton label, this album is a captivating collection of 14 tracks that showcase the intricate and profound compositions of Pierre de la Rue, a renowned composer of the Renaissance period. The album spans a duration of 1 hour and 13 minutes, offering a comprehensive exploration of de la Rue's musical genius.

This album is a treasure trove for enthusiasts of medieval and choral music. Pierre de la Rue, a favorite composer of Margaret of Austria's court, presents a diverse range of compositions that include both sacred and secular pieces. The tracks, such as "Pourquoy tant," "Tous les regretz," and "De l'oeil de la fille du roy," are performed with meticulous attention to detail, bringing to life the emotional depth and complexity of de la Rue's work.

The Corvina Consort, known for their diverse repertoire ranging from Orlando di Lasso to Claude Le Jeune, delivers a stellar performance that highlights the beauty and intricacy of these compositions. Each track is a testament to the skill and artistry of both the composer and the performers, making this album a must-listen for anyone interested in the rich history of medieval music.

From the hauntingly beautiful "Ce n'est pas jeu" to the powerful "Cueurs desolez / Dies illa," this album offers a journey through the musical landscape of the Renaissance. Whether you are a seasoned fan of medieval music or a newcomer looking to explore this fascinating genre, "La Rue: Chansons From the Album of Margaret of Austria" is sure to captivate and inspire.

July 15, 2014

2014 Hungaroton

About Pierre de la Rue

Pierre de la Rue, born around 1460, was a renowned Franco-Flemish composer and singer of the Renaissance, celebrated for his significant contributions to the polyphonic style that flourished in the Netherlands around 1500. A contemporary of the legendary Josquin des Prez, de la Rue's music was highly prized at the Habsburg-Burgundian court, where he served as the pre-eminent composer under Duke Philip 'the Fair' of Burgundy. His compositions, which include the influential 'Missa pro defunctis' — one of the earliest polyphonic settings of the requiem — showcase his mastery of choral and sacred music. De la Rue's work is a testament to the rich musical heritage of the late fifteenth and early sixteenth centuries, making him a pivotal figure in the history of Renaissance music.