Markus Reuter's "Kopfmensch," released on November 1, 2011, under Unsung Records, is a captivating journey through the realms of space music, ambient, drone, and dark ambient. This 16-track album spans a duration of 1 hour and 11 minutes, offering a rich and immersive listening experience.
Reuter, known for his innovative use of touch guitars and his work with bands like Stick Men and centrozoon, showcases his versatility and depth in this solo project. "Kopfmensch" features a blend of experimental sounds, from the hauntingly beautiful "Absalom," which was composed in late 2010/early 2011 and is based on a Stick part by Tony Levin, to the atmospheric "1200 Sundays" and the intense "Mauls of Reclining."
The album also includes collaborations, such as additional drum programming by Adrian Benavides. Each track is a testament to Reuter's ability to create evocative soundscapes that resonate with listeners. Whether you're a fan of ambient music, experimental rock, or modern classical, "Kopfmensch" offers a unique and engaging exploration of sound and texture.
Markus Reuter is a German multi-instrumentalist and composer renowned for his innovative approach to music. A master of the touch guitar, Warr Guitar, and Chapman Stick, Reuter's work spans various genres, including ambient, drone, and space music. His compositions often incorporate algorithmic and generative techniques, showcasing his deep understanding of both traditional and contemporary musical forms. Reuter has collaborated with notable artists such as Robert Fripp and Robert Rich, and has performed with Tony Levin and Pat Mastelotto, revisiting the rich repertoire of King Crimson. Beyond his musical prowess, Reuter is also an educator, instrument designer, and researcher, continually pushing the boundaries of what music can be. His work has earned him critical acclaim across Europe, Japan, North and South America, making him a standout figure in the world of experimental and progressive music.
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