King Of The Tenors

Dive into the rich, velvety tones of Ben Webster with "King Of The Tenors," a classic cool jazz album released in 1954. This exquisite collection of tracks, originally recorded in 1953 for the Norgran label, showcases the masterful saxophone skills of Ben Webster, a titan of the jazz world. The album, initially titled "The Consummate Artistry of Ben Webster," was reissued as "King Of The Tenors" in 1957, cementing Webster's legacy as one of the greatest tenor saxophonists in jazz history.

"King Of The Tenors" features eleven captivating tracks, including the sultry "Tenderly," the upbeat "Jive At Six," and the timeless standard "That's All." Each song is a testament to Webster's unique style, blending smooth melodies with intricate improvisations. The album's standout track, "Bounce Blues," is a thrilling display of Webster's virtuosity, with an alternate take included as a bonus.

Recorded under the Verve label, this album is a essential addition to any jazz enthusiast's collection. With a duration of just under 40 minutes, "King Of The Tenors" offers a concise yet powerful journey through the cool jazz genre, highlighting Ben Webster's unparalleled talent and his significant contributions to the world of music.

Ben Webster, born Benjamin Francis Webster, was a titan of the tenor saxophone in the world of jazz, renowned for his distinctive, warm, and raspy sound. Hailing from Kansas City, Missouri, Webster's career spanned several decades, from the 1930s through the 1970s, making him one of the most influential figures in early jazz history. Often hailed as one of the "big three" of swing tenors, alongside Coleman Hawkins and Lester Young, Webster's style was uniquely his own, blending a tough, raspy tone with a breathy, instantly recognizable warmth. His collaborations with legends like Duke Ellington, Billie Holiday, and Johnny Hodges are testament to his musical prowess and enduring legacy. Webster's performances in the United States and Europe left an indelible mark on the jazz scene, making him a beloved figure among fans and fellow musicians alike. His nickname, "The Brute" or "Frog," added a touch of mystique to his persona, but it was his music that truly set him apart. Webster's contributions to jazz continue to inspire and captivate, cementing his status as a true master of the genre.