King David's Harp

Album Description

Andrew Lawrence-King's "King David's Harp" is a captivating journey through the realms of Celtic and medieval music, released in February 1998 under the Deutsche Harmonia Mundi label. This enchanting collection features 21 tracks, spanning a total of 74 minutes, and was recorded at the acoustically rich St. Andrew's in Toddington, Bedfordshire, UK, during November 1997 and January 1998. As a specialist in early and medieval music, Andrew Lawrence-King brings his unique expertise to the harp, offering a blend of tone colors and melodic shifts that are both effortless and mesmerizing.

The album opens with "Symphony: King David's Air" and closes with "David of the White Rock (Dafydd y garreg-wen)," framing a diverse selection of pieces that include toccatas, preludes, suites, and the iconic "Goldberg Variations, BWV 988: Aria." Each track showcases Lawrence-King's mastery of the harp, as well as his ability to seamlessly integrate elements from various musical traditions. From the intricate "Toccata in D minor" to the delicate "Suite d'Amour," and the lively "Gigue," the album is a testament to Lawrence-King's versatility and virtuosity.

Born in Guernsey on September 3, 1959, Andrew Lawrence-King is not only a renowned classical harpist but also the director of The Harp Consort. His work on "King David's Harp" underscores his deep understanding of historical performance practices and his commitment to bringing these timeless pieces to life with authenticity and passion. Whether you're a seasoned enthusiast of medieval music or a curious newcomer, this album promises an immersive and enriching listening experience.

February 2, 1998

(P) 1998 BMG Entertainment

About Andrew Lawrence-King

Andrew Lawrence-King, born in Guernsey, is a renowned harpist and conductor celebrated for his pioneering work in early music. With a career spanning decades, Lawrence-King is known for his innovative approach to historically informed performance, blending state-of-the-art early music techniques with captivating improvisation and engaging stage presence. As the director of The Harp Consort, he leads a group that seamlessly merges musical excellence with theatrical flair. Beyond his work with The Harp Consort, Lawrence-King also heads Il Corago, a team dedicated to the historical staging of early opera, and the International Baroque Opera Studio at Opera Omnia Moscow. His influence extends globally, having directed operas, oratorios, and chamber music at prestigious venues such as La Scala in Milan, the Sydney Opera House, and Casals Hall in Tokyo. Lawrence-King's discography is extensive, making him one of the most recorded harpists of all time. His performances are not just concerts but immersive experiences that transport audiences through time, offering a unique blend of historical authenticity and modern creativity.