Kienzl: Lieder, Vol. 1 - Wilhelm Kienzl - Vinyl LP

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Kienzl: Lieder, Vol. 1 - Wilhelm Kienzl

Album Details

Immerse yourself in the enchanting world of Wilhelm Kienzl's Lieder with this captivating collection, released on April 1, 2011, by Chandos. Spanning a concise yet impactful 67 minutes, this album, titled "Kienzl: Lieder, Vol. 1," offers a profound exploration of Kienzl's lyrical compositions. The tracklist is a rich tapestry of his works, featuring pieces from various operas and song cycles, such as "Frühlingslieder," "Neun Lieder im Volkston," and "Geliebt – Vergessen!" Each track showcases Kienzl's mastery of melody and his ability to convey deep emotion through song. From the hauntingly beautiful "Der Leiermann" to the poignant "Letzte Reise," this album is a testament to Kienzl's enduring legacy in the realm of classical music. Whether you're a seasoned enthusiast or a newcomer to Kienzl's work, this collection promises a rewarding and enriching listening experience.

April 1, 20112011 Chandos Records2011 Chandos Records

Tracks

Zwei Lieder, Op. 2: No. 2, Es tont ein voller HarfenklangWilhelm Kienzl, Jochen Kupfer, Stacey Bartsch
3:31
Frühlingslieder, Op. 33: No. 1, Lenz!Wilhelm Kienzl, Carsten Suss, Stacey Bartsch
1:14
Neun Lieder im Volkston, Op. 6: No. 6, HochzeitsliedWilhelm Kienzl, Christiane Libor, Stacey Bartsch
1:04
Neun Lieder im Volkston, Op. 7: No. 1, Die verschwiegene NachtigallWilhelm Kienzl, Christiane Libor, Stacey Bartsch
2:30
Neun Lieder im Volkston, Op. 8: No. 3, Die blauen HusarenWilhelm Kienzl, Jochen Kupfer, Stacey Bartsch
1:14
Acht Lieder der Liebe, Op. 8: No. 2, WehmutWilhelm Kienzl, Jochen Kupfer, Stacey Bartsch
2:44
Geliebt – Vergessen!, Op. 18: No. 3, Im GluckeWilhelm Kienzl, Jochen Kupfer, Stacey Bartsch
2:27
Geliebt – Vergessen!, Op. 18: No. 8, GesundenWilhelm Kienzl, Carsten Suss, Stacey Bartsch
3:13
Geliebt – Vergessen!, Op. 18: No. 5, DeingedenkenWilhelm Kienzl, Carsten Suss, Stacey Bartsch
3:30
Geliebt – Vergessen!, Op. 18: No. 6, TraumesahnungWilhelm Kienzl, Carsten Suss, Stacey Bartsch
1:57
Zwei Lieder, Op. 37: No. 2, Triftiger GrundWilhelm Kienzl, Christiane Libor, Stacey Bartsch
1:46
Zwei Lieder, Op. 39: No. 1, Sehnsucht nach VergessenWilhelm Kienzl, Christiane Libor, Stacey Bartsch
3:44
Drei Lieder, Op. 25: No. 2, Mephistopheles' Lied in Auerbachs KellerWilhelm Kienzl, Jochen Kupfer, Stacey Bartsch
1:52
Zwei Lieder, Op. 38: No. 1, Der LeiermannWilhelm Kienzl, Carsten Suss, Stacey Bartsch
2:31
Drei Lieder, Op. 32: No. 2, Roslein und SchmetterlingWilhelm Kienzl, Christiane Libor, Stacey Bartsch
1:51
Drei Volkslieder, Op. 31: No. 2, Der KußWilhelm Kienzl, Carsten Suss, Stacey Bartsch
1:18
Zwei Lieder aus Osten, Op. 35: No. 1, RomanzeWilhelm Kienzl, Christiane Libor, Stacey Bartsch
2:59
Zwei Lieder aus Osten, Op. 35: No. 2, Der TambourinspielerWilhelm Kienzl, Christiane Libor, Stacey Bartsch
2:00
Zwei Lieder, Op. 42: No. 2, Die UrgrossmutterWilhelm Kienzl, Christiane Libor, Stacey Bartsch
2:23
Drei Lieder, Op. 32: No. 1, Jung Werners LiedWilhelm Kienzl, Carsten Suss, Stacey Bartsch
2:52
Sechs Lieder, Op. 55: No. 1, An die NachtWilhelm Kienzl, Jochen Kupfer, Stacey Bartsch
5:12
Sechs Lieder, Op. 55: No. 2, AugenblickeWilhelm Kienzl, Jochen Kupfer, Stacey Bartsch
5:13
Sechs Lieder, Op. 55: No. 6, AbendliedWilhelm Kienzl, Carsten Suss, Stacey Bartsch
2:41
Drei Gesänge mit Harmonium- oder Klavierbegleitung, Op. 69a: No. 1, AsphodelenWilhelm Kienzl, Jochen Kupfer, Stacey Bartsch
3:50
Drei Gesänge mit Harmonium- oder Klavierbegleitung, Op. 69a: No. 3, Letzte ReiseWilhelm Kienzl, Jochen Kupfer, Stacey Bartsch
4:01

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About Wilhelm Kienzl

Wilhelm Kienzl, born in Waizenkirchen, Upper Austria, was a prominent Austrian composer whose life spanned from 1857 to 1941. Kienzl's musical journey took him through prestigious institutions in Graz, Prague, Leipzig, and Vienna, where he even had the opportunity to study briefly with the legendary Franz Liszt in Weimar. His most renowned work is the opera "Der Evangelimann," which premiered in Berlin in 1895 and quickly gained popularity, becoming one of his most performed pieces. Kienzl's compositions span a variety of genres, including operas, melodramas, and orchestral works, each reflecting his unique musical vision. Despite his significant contributions to music, Kienzl's legacy is also marked by his controversial support for the Nazi regime, which included public praise for Adolf Hitler before Austria's Anschluss in 1938. Today, Kienzl's music continues to be appreciated by enthusiasts, offering a glimpse into the rich tapestry of late 19th and early 20th-century Austrian music.