Kienzl: Der Evangelimann, Op.45

Album Description

Dive into the captivating world of Wilhelm Kienzl's "Der Evangelimann, Op.45," a seminal work in the realm of classical opera. Released in 1965 by Deutsche Grammophon, this album is a testament to Kienzl's mastery of the genre, showcasing his unique blend of dramatic storytelling and rich musical composition. The album spans approximately 49 minutes, featuring nine tracks that bring to life the poignant narrative of "Der Evangelimann."

Kienzl, known for his innovative approach to musical theater, achieved his greatest acclaim with this opera. "Der Evangelimann" is a musical play that seamlessly weaves together powerful vocals and orchestral arrangements, creating an immersive listening experience. The album includes standout tracks such as "Was fehlt dir," "Johannes schläft/O schöne Jugendtage," and "Des Lebens ganzen Leidenskelch/Zehn Jahre sind seither ins Land gezogen," each offering a glimpse into the depth and complexity of Kienzl's musical vision.

The performances on this album are nothing short of extraordinary, with each track delivered with precision and passion. Whether you're a seasoned classical music enthusiast or a newcomer to the genre, "Der Evangelimann, Op.45" is sure to leave a lasting impression. This album is a perfect addition to any classical music collection, offering a rich tapestry of sound and storytelling that will captivate and inspire.

January 1, 1965

℗ 1965 Deutsche Grammophon GmbH, Berlin

About Wilhelm Kienzl

Wilhelm Kienzl, born in Waizenkirchen, Upper Austria, was a prominent Austrian composer whose life spanned from 1857 to 1941. Kienzl's musical journey took him through prestigious institutions in Graz, Prague, Leipzig, and Vienna, where he even had the opportunity to study briefly with the legendary Franz Liszt in Weimar. His most renowned work is the opera "Der Evangelimann," which premiered in Berlin in 1895 and quickly gained popularity, becoming one of his most performed pieces. Kienzl's compositions span a variety of genres, including operas, melodramas, and orchestral works, each reflecting his unique musical vision. Despite his significant contributions to music, Kienzl's legacy is also marked by his controversial support for the Nazi regime, which included public praise for Adolf Hitler before Austria's Anschluss in 1938. Today, Kienzl's music continues to be appreciated by enthusiasts, offering a glimpse into the rich tapestry of late 19th and early 20th-century Austrian music.