Khomsa

Anouar Brahem's "Khomsa," released on January 1, 1995, under ECM Records, is a mesmerizing blend of contemporary jazz, folk, and world music that spans a captivating 1 hour and 15 minutes. This album is a testament to Brahem's unique ability to weave together diverse musical influences, creating a sound that is both intimate and expansive.

Featuring 16 tracks, "Khomsa" showcases Brahem's mastery of the oud, a Middle Eastern stringed instrument, alongside contributions from Jean-Louis Matignon on piano, François Corneloup on bass clarinet, and Lassaad Ben Abdallah on percussion. The album opens with "Comme Un Départ," a gentle introduction that sets the stage for the rich tapestry of sounds to come. Standout tracks like "L'Infini Jour" and "Souffle Un Vent De Sable" highlight Brahem's ability to evoke a sense of longing and nostalgia, while "Regard De Mouette" and "Sur L'Infini Bleu" offer moments of serene beauty.

"Khomsa" is not just an album but a journey through the landscapes of Brahem's imagination. The title track, "Khomsa," is a standout piece that showcases the album's fusion of traditional and contemporary elements. The album closes with "Comme une absence," a poignant finale that leaves a lasting impression.

Recorded at Rainbow Studio, "Khomsa" is a must-listen for fans of world music and jazz, offering a rich and immersive listening experience that transcends cultural boundaries. Brahem's skillful composition and performance make "Khomsa" a timeless addition to any music collection.