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Just A-Sittin' And A-Rockin'

Paul GonsalvesPaul Gonsalves
  • 1987
  • 10 tracks
  • 45 min
  • jazz
Just A-Sittin' And A-Rockin' - Paul Gonsalves

Album Description

Dive into the rich, melodic world of jazz with Paul Gonsalves' "Just A-Sittin' And A-Rockin'," a timeless collection released on July 31, 1987, under the 1201 MUSIC label. This 45-minute journey through the genres of jazz, cool jazz, bebop, and hard bop is a testament to Gonsalves' mastery of the saxophone and his ability to captivate audiences with his soulful playing.

The album opens with "B.P. Blues," setting the tone for a series of tracks that showcase Gonsalves' versatility and depth. "Lotus Blossom" and "I Cover The Waterfront" are standout pieces that highlight his smooth, cool jazz style, while "Don't Blame Me" and "Hi Ya Sue" offer a taste of his bebop and hard bop influences. Each track is a masterclass in jazz improvisation, with Gonsalves' saxophone weaving intricate melodies over dynamic rhythms.

"Just A-Sittin' And A-Rockin'" is not just a collection of songs; it's a celebration of jazz in all its forms. From the playful "Tea For Two" to the energetic "Stompy Jones," Gonsalves and his ensemble deliver a performance that is as engaging as it is technically impressive. Fans of jazz will appreciate the album's blend of classic and contemporary styles, making it a valuable addition to any jazz enthusiast's collection.

Tracks

  1. B.P. BluesPaul Gonsalves, Ray Nance
  2. Lotus BlossomPaul Gonsalves, Ray Nance
  3. Don't Blame MePaul Gonsalves, Ray Nance
  4. Just A-Sittin' And A-Rockin'Paul Gonsalves, Ray Nance
  5. I Cover The WaterfrontPaul Gonsalves, Ray Nance
  6. Hi Ya SuePaul Gonsalves, Ray Nance
  7. Angel EyesPaul Gonsalves, Ray Nance
  8. I'm In The Market For YouPaul Gonsalves, Ray Nance
  9. Tea For TwoPaul Gonsalves, Ray Nance
  10. Stompy JonesPaul Gonsalves, Ray Nance
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About Paul Gonsalves

Paul Gonsalves, born in Brockton, Massachusetts, in 1920, was a dynamic and influential American jazz tenor saxophonist, renowned for his powerful and emotive playing. His career took a significant turn when he joined Duke Ellington's orchestra in 1950, becoming a pivotal member of the band. Gonsalves' most famous moment came at the 1956 Newport Jazz Festival, where his electrifying 27-chorus solo in the middle of Ellington's "Diminuendo and Crescendo in Blue" revitalized Ellington's career and cemented Gonsalves' place in jazz history. Before joining Ellington, Gonsalves honed his skills with the Count Basie and Dizzy Gillespie bands, showcasing his versatility and adaptability across different jazz styles. His discography includes notable recordings as a leader and sideman, highlighting his ability to blend swing, bebop, and hard bop elements into a unique and captivating sound. Gonsalves' legacy endures as a testament to his innovative spirit and enduring influence on the jazz genre.

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Paul Gonsalves

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