Jonathan Harvey

Album Description

Jonathan Harvey's self-titled album, released in October 2001, is a captivating exploration of avant-garde composition, showcasing the British composer's unique blend of electronic and classical elements. Spanning just over an hour, the album features nine tracks that delve into the realms of contemplation and innovation. The album opens with the three-movement "Piano Trio," each section titled "Song," "System," and "Rite," respectively, offering a rich tapestry of piano, strings, and electronic textures. The album also includes "Advaya," a piece that reflects Harvey's fascination with Buddhism and Eastern philosophies, and "Dialogue and Song," a two-part work that explores the interplay between voice and instrumentation. "Tombeau de Messiaen" serves as a tribute to the influential French composer Olivier Messiaen, while "Flight-Elegy" concludes the album with a poignant and reflective piece. Harvey's work is known for its depth and complexity, drawing on a wide range of influences and techniques to create a sound that is both intellectually stimulating and deeply moving. This album is a testament to Harvey's mastery of his craft and his ability to push the boundaries of contemporary music.

October 1, 2001

℗ 2001 ATMA Classique

About Jonathan Harvey

Jonathan Harvey was a pioneering British composer renowned for his innovative works that seamlessly blend live instruments with electronics, making him the first British composer to leave a significant mark on Central European audiences. Born in Sutton Coldfield, Harvey's musical journey began as a chorister at St Michael's College, Tenbury, where he honed his skills performing multiple services weekly. His academic pursuits led him to St John's College, Cambridge, where he became a major music scholar, eventually earning several doctorates.

Harvey's compositions are celebrated for their avant-garde approach, pushing the boundaries of traditional music. His extensive body of work includes notable pieces such as 'The Angels' (1994) and numerous plays, among them 'Beautiful Thing', 'Babies', and 'Boom Bang-A-Bang'. Beyond his musical contributions, Harvey also made a significant impact as a professor at the University of Sussex from 1977 until his retirement. His legacy continues to inspire through the Jonathan Harvey Electronic Music Studio, which opened in 2019 to celebrate his enduring influence on contemporary music.