Dive into the vibrant world of 18th-century Neapolitan opera buffa with Niccolò Jommelli's "Don Trastullo," a delightful intermezzo that showcases the composer's wit and musical prowess. This 2001 release, conducted by Antonio Florio and performed by the esteemed Cappella de' Turchini, brings together a stellar cast of vocalists, including Giuseppe Naviglio and an ensemble of sopranos, to breathe life into this comedic tale.
"Don Trastullo" is a captivating collection of 19 tracks, spanning a concise yet engaging 59 minutes. The album is a testament to Jommelli's mastery of the intermezzo form, featuring a mix of recitatives, arias, and ensembles that highlight the composer's ability to blend humor, drama, and musical innovation. The intermezzo follows the misadventures of Don Trastullo, a character known for his cunning and trickery, as he navigates the complexities of love and deception.
The album is a treasure trove of Baroque vocal music, with each track offering a unique blend of Italian text and melodic invention. From the lively "Allegro assai" that opens the intermezzo to the playful "Terzetto" that closes it, "Don Trastullo" is a feast for the ears, showcasing the full range of human expression through music.
Recorded in 2001 and released under the naïve classique label, this album is a must-listen for fans of Baroque opera and those seeking to explore the rich musical heritage of Naples. With its engaging performances and high-quality recording, "Don Trastullo" is an essential addition to any classical music collection.
Opus 111Opus 111
Tracks
La cantata e disfida di Don Trastullo, Intermezzo primo: No. 1, Allegro assai (Introduzione)Niccolò Jommelli, Capella de'turchini, Antonio Florio
La cantata e disfida di Don Trastullo, Intermezzo primo: No. 2, L'idol moi che sempre adore (Cavatina a due)Niccolò Jommelli, Capella de'turchini, Antonio Florio, Roberta Invernizzi, Rosario Totaro
La cantata e disfida di Don Trastullo, Intermezzo primo: No. 3, Sentimi Giambarone, per far le nostre nozze (Recitativo)Niccolò Jommelli, Capella de'turchini, Antonio Florio, Roberta Invernizzi, Rosario Totaro
La cantata e disfida di Don Trastullo, Intermezzo primo: No. 4, Chi sa come la piglia (Aria)Niccolò Jommelli, Capella de'turchini, Antonio Florio, Rosario Totaro
La cantata e disfida di Don Trastullo, Intermezzo primo: No. 5, Or ora la vedremo, altri piccioni ho saputo pelar (Recitativo)Niccolò Jommelli, Capella de'turchini, Antonio Florio, Roberta Invernizzi, Giuseppe Naviglio
La cantata e disfida di Don Trastullo, Intermezzo primo: No. 6, Oh meraviglia (Recitativo accompagnato)Niccolò Jommelli, Capella de'turchini, Antonio Florio
La cantata e disfida di Don Trastullo, Intermezzo primo: No. 7, Oh che fiamma (Aria)Niccolò Jommelli, Antonio Florio, Capella de'turchini, Giuseppe Naviglio
La cantata e disfida di Don Trastullo, Intermezzo primo: No. 8, Or che mi fui spiegato, o mia signora (Recitativo)Niccolò Jommelli, Capella de'turchini, Antonio Florio, Roberta Invernizzi, Giuseppe Naviglio
La cantata e disfida di Don Trastullo, Intermezzo primo: No. 9, E d'ogni affetto degno (Aria)Niccolò Jommelli, Antonio Florio, Capella de'turchini, Roberta Invernizzi
La cantata e disfida di Don Trastullo, Intermezzo primo: No. 10, Ma quando, dica lei (Recitativo)Niccolò Jommelli, Capella de'turchini, Antonio Florio, Roberta Invernizzi, Giuseppe Naviglio, Rosario Totaro
La cantata e disfida di Don Trastullo, Intermezzo primo: No. 11, Son qual sorcio al gatto in faccia (Terzetto)Niccolò Jommelli, Capella de'turchini, Antonio Florio
La cantata e disfida di Don Trastullo, Intermezzo secondo: No. 12, Dunque il Conte inseguisti (Recitativo)Niccolò Jommelli, Capella de'turchini, Antonio Florio, Roberta Invernizzi, Rosario Totaro
La cantata e disfida di Don Trastullo, Intermezzo secondo: No. 13, M'avete visto in guerra, eh? (Aria)Niccolò Jommelli, Antonio Florio, Capella de'turchini, Rosario Totaro
La cantata e disfida di Don Trastullo, Intermezzo secondo: No. 14, Intermezzo secondo, Orbene, entro gia in casa (Recitativo)Niccolò Jommelli, Capella de'turchini, Antonio Florio, Roberta Invernizzi, Giuseppe Naviglio, Rosario Totaro
La cantata e disfida di Don Trastullo, Intermezzo secondo: No. 15, Te sei gia fritto al mondo (Aria)Niccolò Jommelli, Antonio Florio, Capella de'turchini, Giuseppe Naviglio
La cantata e disfida di Don Trastullo, Intermezzo secondo: No. 16, Oh, a noi, quattro stoccate (Recitativo)Niccolò Jommelli, Capella de'turchini, Antonio Florio, Roberta Invernizzi, Giuseppe Naviglio, Rosario Totaro
La cantata e disfida di Don Trastullo, Intermezzo secondo: No. 17, Si voi siete agli occhi miei (Aria)Niccolò Jommelli, Antonio Florio, Capella de'turchini, Roberta Invernizzi
La cantata e disfida di Don Trastullo, Intermezzo secondo: No. 18, Ma signora mia bella (Recitativo)Niccolò Jommelli, Capella de'turchini, Antonio Florio, Roberta Invernizzi, Giuseppe Naviglio, Rosario Totaro
La cantata e disfida di Don Trastullo, Intermezzo secondo: No. 19, Si, venga esenta come (Tempo di minué)Niccolò Jommelli, Capella de'turchini, Antonio Florio
Niccolò Jommelli, born in Aversa, Italy, in 1714, was a pioneering composer of the Neapolitan School whose innovative works left an indelible mark on the operatic landscape of the mid-eighteenth century. Known for his eclectic style, Jommelli seamlessly blended Italian, German, and French musical elements, earning admiration from contemporaries like Mozart. His operatic reforms, which included reducing the ornateness of style and the dominance of star singers, significantly influenced the genre. Jommelli's prolific career spanned over 220 stage works, including more than 60 operas, as well as numerous oratorios, cantatas, masses, and chamber music. His journey took him through major European cities, including Rome, Vienna, Stuttgart, and Naples, where he held prestigious positions such as "Ober-Kapellmeister" at the ducal court of Stuttgart and vice-chapelmaster at St. Peter's Basilica in Rome. Despite suffering a stroke in 1771, Jommelli continued to compose until his death in 1774, leaving behind a legacy that continues to inspire and captivate audiences today.
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Niccolò Jommelli
