Immerse yourself in the sacred and stirring world of Johann Simon Mayr's "Samuele, Oratorio Biblico in Due Parti," a choral masterpiece that transcends time and genre. Released in 1996 under the NAR International label, this album is a profound exploration of biblical narrative through the lens of classical choral music.
Mayr, a composer of significant historical importance, crafts a compelling journey through the story of Samuel, the prophet. The oratorio is divided into two parts, each filled with powerful vocal performances and intricate compositions that highlight the drama and spirituality of the biblical text.
The album spans a substantial 1 hour and 37 minutes, offering a rich and immersive experience. From the opening notes of "Samuele, Act I, Scene 1: Alfine in petto l'anima" to the culminating "Omaggio al vero," each track is a testament to Mayr's mastery of choral writing. The performances by the Bonner Bach Gemeinschaft are nothing short of breathtaking, bringing Mayr's vision to life with precision and passion.
"Samuele" is not just a collection of songs but a cohesive narrative that unfolds through music. The choral arrangements are both complex and accessible, making it a rewarding listen for both classical music enthusiasts and those new to the genre. The album's historical significance, combined with its timeless appeal, makes it a standout in the choral music repertoire.
Whether you are a seasoned listener of classical choral works or someone looking to explore the depth and beauty of this musical tradition, "Samuele, Oratorio Biblico in Due Parti" is an essential addition to your collection. Let the powerful voices and intricate compositions of Johann Simon Mayr transport you to a world of sacred storytelling and musical excellence.
Samuele, Act I, Scene 1: Alfine in petto l'animaJohann Simon Mayr, Bonner Bach Gemeinschaft, Orchestra Accademica Di Stato Di Minsk, Pierangelo Pelucchi
Samuele, Act I, Scene 1: Eccoci giunti alfinJohann Simon Mayr, Orchestra Accademica Di Stato Di Minsk, Pierangelo Pelucchi, Marcello Merlini, Elisabetta Stringa
Samuele, Act I, Scene 1: Or più cara è a me la vitaJohann Simon Mayr, Orchestra Accademica Di Stato Di Minsk, Pierangelo Pelucchi, Marcello Merlini, Elisabetta Stringa
Samuele, Act I, Scene 1: Egli è là...me beata!Johann Simon Mayr, Orchestra Accademica Di Stato Di Minsk, Bonner Bach Gemeinschaft, Pierangelo Pelucchi, Marcello Merlini, Elisabetta Stringa
Samuele, Act I, Scene 1: Di gioja il cor mi palpitaJohann Simon Mayr, Orchestra Accademica Di Stato Di Minsk, Bonner Bach Gemeinschaft, Pierangelo Pelucchi, Alessandra Gavezzini, Elisabetta Stringa, Marcello Merlini
Samuele, Act I, Scene 1: Oh sovra l'altre madriJohann Simon Mayr, Orchestra Accademica Di Stato Di Minsk, Bonner Bach Gemeinschaft, Pierangelo Pelucchi, Marcello Merlini, Elisabetta Stringa
Samuele, Act I, Scene 1: Chi di purpurea chiomaJohann Simon Mayr, Orchestra Accademica Di Stato Di Minsk, Bonner Bach Gemeinschaft, Pierangelo Pelucchi
Samuele, Act II, Scene 2: Delle festose turbeJohann Simon Mayr, Orchestra Accademica Di Stato Di Minsk, Pierangelo Pelucchi, Roberto Luparelli, Alessandra Gavezzini
Samuele, Act II, Scene 3: Esser degli esseriJohann Simon Mayr, Orchestra Accademica Di Stato Di Minsk, Pierangelo Pelucchi, Roberto Luparelli
Samuele, Act II, Scene 3: Ma qual si sparge intornoJohann Simon Mayr, Orchestra Accademica Di Stato Di Minsk, Pierangelo Pelucchi, Roberto Luparelli
Samuele, Act II, Scene 4: Che tento!Johann Simon Mayr, Orchestra Accademica Di Stato Di Minsk, Pierangelo Pelucchi, Roberto Luparelli, Alessandra Gavezzini
Samuele, Act II, Scene 5: Marcia religiosaJohann Simon Mayr, Orchestra Accademica Di Stato Di Minsk, Pierangelo Pelucchi
Samuele, Act II, Scene 5: Delle tue glorieJohann Simon Mayr, Orchestra Accademica Di Stato Di Minsk, Bonner Bach Gemeinschaft, Pierangelo Pelucchi
Samuele, Act II, Scene 5: Saggior mortal, che rappresentiJohann Simon Mayr, Orchestra Accademica Di Stato Di Minsk, Pierangelo Pelucchi, Alessandra Gavezzini, Elisabetta Stringa, Marcello Merlini, Roberto Luparelli
Samuele, Act II, Scene 5: Ah, Madre...Johann Simon Mayr, Orchestra Accademica Di Stato Di Minsk, Pierangelo Pelucchi, Alessandra Gavezzini, Elisabetta Stringa, Marcello Merlini, Roberto Luparelli
Samuele, Act II, Scene 5: Come anelava, o caroJohann Simon Mayr, Orchestra Accademica Di Stato Di Minsk, Pierangelo Pelucchi, Alessandra Gavezzini, Elisabetta Stringa, Marcello Merlini, Roberto Luparelli
Samuele, Act II, Scene 5: Dio, che immortal, beneficoJohann Simon Mayr, Orchestra Accademica Di Stato Di Minsk, Pierangelo Pelucchi, Alessandra Gavezzini
Samuele, Act II, Scene 5: Come, ai divini accentiJohann Simon Mayr, Orchestra Accademica Di Stato Di Minsk, Pierangelo Pelucchi, Alessandra Gavezzini
Samuele, Act II, Scene 5: Cinto il crineJohann Simon Mayr, Orchestra Accademica Di Stato Di Minsk, Pierangelo Pelucchi, Alessandra Gavezzini
Samuele, Act II, Scene 5: Omaggio al veroJohann Simon Mayr, Orchestra Accademica Di Stato Di Minsk, Bonner Bach Gemeinschaft, Pierangelo Pelucchi, Alessandra Gavezzini, Elisabetta Stringa, Marcello Merlini
Johann Simon Mayr, born in the Bavarian town of Mendorf in 1763, was a prolific German composer who made a significant mark on the Italian operatic and liturgical music scenes. Known in Italy as Giovanni Simone Mayr, he was one of the most successful composers before the rise of Rossini. Mayr's innovative use of the orchestral crescendo technique set him apart and influenced future generations of composers. His extensive catalog includes a wealth of operas and choral works that showcase his mastery of both dramatic and sacred genres. Beyond his own compositions, Mayr is perhaps best remembered as the esteemed teacher of the renowned Gaetano Donizetti, further cementing his legacy in the world of classical music. His contributions to the romantic era make him a key figure in the transition from classical to romantic styles, offering a rich tapestry of musical exploration for enthusiasts to discover.
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Johann Simon Mayr
