Jessye Norman Live At Hohenems captures the electrifying performance of the renowned soprano Jessye Norman at the Schubertiade Hohenems Festival in Austria, recorded live in June 1987 and released in 1988. This album is a testament to Norman's extraordinary vocal prowess and versatility, featuring a diverse repertoire that spans opera, classical, and spiritual genres.
The album opens with a powerful rendition of "Applause 1," setting the stage for a journey through timeless compositions. Norman's voice shines in pieces like Handel's "Rinaldo, HWV 7a / Act 2: 'Lascia ch'io pianga'" and Schubert's "Auf dem See, D. 543," showcasing her ability to convey deep emotion and technical mastery. The collaboration with pianist Geoffrey Parsons adds a layer of depth and nuance to each performance.
Highlights include Schubert's "Gretchen am Spinnrade, D.118" and "Erlkönig, D. 328," where Norman's dramatic intensity and expressive range are on full display. The album also features spirituals like "He's Got The Whole World In His Hands (Arr. Bonds)" and "Great Day (Arr. Kerr)," adding a soulful and uplifting dimension to the collection.
With a duration of just over an hour, Jessye Norman Live At Hohenems is a captivating listen, offering a glimpse into the artistry of one of the most celebrated sopranos of our time. Whether you're a seasoned classical music enthusiast or a newcomer to the genre, this album is sure to leave a lasting impression.
Jessye Norman, the acclaimed American opera singer, captivated global audiences with her powerful and dramatic soprano voice. Renowned for her commanding stage presence, Norman's repertoire spanned iconic roles such as Beethoven's Leonore, Wagner's Sieglinde and Kundry, and Berlioz's Cassandre and Didon. Her voice, often described as a "grand mansion of sound," boasted immense range and depth, filling concert halls with its rich, resonant tones. Norman's illustrious career, which spanned over five decades, earned her four Grammy Awards and the Royal Philharmonic Society Gold Medal. Her performances were not just musical; they were transformative experiences that left an indelible mark on all who had the privilege of hearing her sing.
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