Immerse yourself in the rich tapestry of classical music with Jean Martinon's "Complete Decca Recordings 1951-1960." This comprehensive collection, released by Decca Music Group Ltd. in 2006, spans a decade of Martinon's illustrious career, offering a diverse array of orchestral works that showcase his exceptional conducting prowess.
The album is a treasure trove of classical masterpieces, featuring iconic compositions such as "Giselle" by Adolphe Adam, overtures from operettas by Jacques Offenbach, and Antonín Dvořák's enchanting "Slavonic Dances." Martinon's interpretations are noted for their precision, depth, and unique artistic vision, making this collection a testament to his enduring legacy in the world of classical music.
With a duration of over four hours, this 9-CD box set is a must for any classical music enthusiast. It includes a wide range of works, from the dramatic and intense "Totentanz" by Franz Liszt to the lively and colorful "Namouna" suites by Gabriel Fauré. The collection also features lesser-known gems, providing a comprehensive overview of Martinon's diverse repertoire.
Recorded between 1951 and 1960, these recordings capture the essence of a bygone era, offering a glimpse into the golden age of classical music. The sound quality, while reflective of its time, is remarkably clear and rich, allowing listeners to fully appreciate the intricacies of Martinon's conducting and the performances of the orchestras under his baton.
Jean Martinon, a French conductor and composer, was renowned for his dynamic and expressive interpretations. His work with the Orchestre National de France and other prestigious ensembles left an indelible mark on the classical music landscape. This collection is a fitting tribute to his contributions and a celebration of his enduring influence.
Whether you're a seasoned classical music aficionado or a newcomer to the genre, "Complete Decca Recordings 1951-1960" offers a rich and rewarding listening experience. Dive into this extensive collection and discover the timeless beauty of Jean Martinon's interpretations.
Giselle - Edited Büsser - Act 1: IntroductionAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
Giselle - Edited Büsser - Act 1: No. 1 Les VendangeursAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
Giselle - Edited Büsser - Act 1: No. 2 Entrée du PrinceAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
Giselle - Edited Büsser - Act 1: No. 3 Loys seul - Entrée de GiselleAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
Giselle - Edited Büsser - Act 1: No. 4 Retour des Vendangeurs - No. 4(bis) ValseAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
Giselle - Edited Büsser / Act 1: No. 5 Pas de DeuxAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
Giselle - Edited Büsser / Act 1: No. 5b. La ChasseAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
Giselle - Edited Büsser - Act 1: No. 6 Scène d'HilarionAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
Giselle - Edited Büsser - Act 1: No. 7 Marche des vigneronsAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
Giselle - Edited Büsser / Act 1: No. 8 GalopAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
Giselle - Edited Büsser / Act 1: No. 8(bis) FinalAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
Giselle - Edited Büsser - Act 2: No. 9 Introduction (La halte des chasseurs)Adolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
Giselle - Edited Büsser - Act 2: No. 10 Apparition et scène de MyrthaAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
Giselle - Edited Büsser / Act 2: No. 11. Apparition de GiselleAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
Giselle - Edited Büsser - Act 2: No. 12 (Allegro moderato)Adolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
Giselle - Edited Büsser - Act 2: No. 13 Entreé de Loys et WilfredeAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
Giselle - Edited Büsser - Act 2: No. 14 Scène des WilisAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
Giselle - Edited Büsser / Act 2: No.15 Grand pas de deuxAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
Giselle - Edited Büsser / Act 2: No. 16 FinalAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
Le Beau Danube: Orchestrated: Roger DesormièreJohann Strauss II, London Philharmonic Orchestra, Jean Martinon
Zampa: OvertureFerdinand Hérold, London Philharmonic Orchestra, Jean Martinon
Le Calife de Bagdad: OvertureFrançois-Adrien Boieldieu, London Philharmonic Orchestra, Jean Martinon
La Dame blanche: OvertureFrançois-Adrien Boieldieu, London Philharmonic Orchestra, Jean Martinon
Si j'étais roi: OvertureAdolphe Adam, London Philharmonic Orchestra, Jean Martinon
Overture Le mariage aux laternesJacques Offenbach, London Philharmonic Orchestra, Jean Martinon
Overture La Belle HélèneJacques Offenbach, London Philharmonic Orchestra, Jean Martinon
Overture Barbe-BleueJacques Offenbach, London Philharmonic Orchestra, Jean Martinon
Overture La Grande-Duchesse de GerolsteinJacques Offenbach, London Philharmonic Orchestra, Jean Martinon
Overture Orpheus in the UnderworldJacques Offenbach, London Philharmonic Orchestra, Jean Martinon
8 Slavonic Dances, Op. 46: No. 1 in C (Presto)Antonín Dvořák, London Symphony Orchestra, Jean Martinon
8 Slavonic Dances, Op. 46: No. 2 in E minor (Allegretto scherzando)Antonín Dvořák, London Symphony Orchestra, Jean Martinon
8 Slavonic Dances, Op. 46: No. 3 in A flat (Poco allegro)Antonín Dvořák, London Symphony Orchestra, Jean Martinon
8 Slavonic Dances, Op. 46: No. 4 in F (Tempo di minuetto)Antonín Dvořák, London Symphony Orchestra, Jean Martinon
8 Slavonic Dances, Op. 46: No. 5 in A (Allegro vivace)Antonín Dvořák, London Symphony Orchestra, Jean Martinon
8 Slavonic Dances, Op. 46: No. 6 in D (Allegretto scherzando)Antonín Dvořák, London Symphony Orchestra, Jean Martinon
8 Slavonic Dances, Op. 46: No. 7 in C minor (Allegro assai)Antonín Dvořák, London Symphony Orchestra, Jean Martinon
8 Slavonic Dances, Op. 46: No. 8 in G minor (Presto)Antonín Dvořák, London Symphony Orchestra, Jean Martinon
8 Slavonic Dances, Op. 72: No. 7 in C (Allegro vivace)Antonín Dvořák, London Symphony Orchestra, Jean Martinon
Schwanda the Bagpiper: Polka and FugueJaromír Weinberger, London Philharmonic Orchestra, Jean Martinon
William Tell: Ballet musicGioachino Rossini, London Philharmonic Orchestra, Jean Martinon
Totentanz, S.126. Paraphrase on "Dies Irae"for piano and orchestraFranz Liszt, Peter Katin, London Philharmonic Orchestra, Jean Martinon
Namouna, Suite No. 1: 1. PréludeÉdouard Lalo, London Philharmonic Orchestra, Jean Martinon
Namouna, Suite No. 1: 2. SérénadeÉdouard Lalo, London Philharmonic Orchestra, Jean Martinon
Namouna, Suite No. 1: 3. Thème variéÉdouard Lalo, London Philharmonic Orchestra, Jean Martinon
Namouna, Suite No. 1: 4. Parade de foireÉdouard Lalo, London Philharmonic Orchestra, Jean Martinon
Namouna, Suite No. 1: 5. Fête foraineÉdouard Lalo, London Philharmonic Orchestra, Jean Martinon
Namouna, Suite No. 2: 1. Danse marocaineÉdouard Lalo, London Philharmonic Orchestra, Jean Martinon
Namouna, Suite No. 2: 2. MazurkaÉdouard Lalo, London Philharmonic Orchestra, Jean Martinon
Namouna, Suite No. 2: 3. La SiestaÉdouard Lalo, London Philharmonic Orchestra, Jean Martinon
Namouna, Suite No. 2: 4. Pas de cymbalesÉdouard Lalo, London Philharmonic Orchestra, Jean Martinon