Japan Suite

Album Description

Dive into the captivating world of avant-garde jazz with Paul Bley's "Japan Suite," a live album that captures the essence of a remarkable performance recorded in Japan in 1976. This 31-minute masterpiece, released on January 1, 1977, under the Improvising Artists label, features Paul Bley on both acoustic and electric grand pianos, Gary Peacock on bass, and Barry Altschul on drums and percussion. The album is a testament to the trio's improvisational prowess and their ability to blend free jazz, cool jazz, and avant-garde elements into a cohesive and engaging musical experience.

"Japan Suite" consists of two extended tracks, "Japan Suite I" and "Japan Suite II," which showcase the trio's dynamic interplay and individual virtuosity. Paul Bley's piano work is particularly noteworthy, as he seamlessly transitions between acoustic and electric sounds, creating a rich and textured sonic landscape. Gary Peacock's bass lines provide a solid foundation, while Barry Altschul's percussive contributions add depth and complexity to the music.

This album is a must-listen for fans of jazz and avant-garde music, offering a unique and captivating listening experience. The live setting captures the energy and spontaneity of the performance, making it a standout release in Paul Bley's discography. Whether you're a seasoned jazz enthusiast or a newcomer to the genre, "Japan Suite" is sure to impress with its innovative approach and exceptional musicianship.

1 januari 1977

(P) 1977 Improvising Artists aka IAI Records

About Paul Bley

Paul Bley, a pioneering figure in the jazz world, was a Canadian pianist and composer whose innovative spirit and technical prowess left an indelible mark on the genre. Born in Montreal in 1932, Bley's career spanned over six decades, during which he contributed significantly to the free jazz movement of the 1960s and pushed the boundaries of trio playing. His music, characterized by its deep originality and aesthetic aggression, has been celebrated for its thoughtfulness and intuitive commitment to advanced improvisation.

Bley's extensive discography includes influential recordings from the 1950s through to his solo piano works of the 2000s. He collaborated with some of the most influential musicians of his time, including Charlie Parker, Ornette Coleman, Sonny Rollins, and Pat Metheny. Beyond his work on the piano, Bley was also an early adopter of synthesizers, notably the Moog and ARP, incorporating them into his live performances and recordings.

His compositions often featured a blend of nostalgia and reflection, with a gentle hint of the blues, creating a compelling and deeply personal musical experience. Bley's legacy as one of the most influential jazz pianists and composers of the 20th century is undeniable, making him a founding father of avant-garde jazz.