Reinhard Febel, a renowned composer, theorist, and university professor, presents an extraordinary exploration of Johann Sebastian Bach's masterpiece, "The Art of Fugue." In "J.S. Bach & Reinhard Febel: 18 Studies on 'The Art of Fugue'," Febel meticulously crafts 18 studies for two pianos, each inspired by the intricate fugues of Bach's original work. Released on Sony Classical in August 2020, this album offers a unique blend of historical reverence and contemporary creativity, spanning a total of 1 hour and 33 minutes.
The album is performed by the esteemed Duo Tal & Groethuysen, comprising Yaara Tal and Andreas Groethuysen, who bring their exceptional skill and sensitivity to this complex and captivating repertoire. Each study in the collection builds upon the last, gradually increasing in complexity, much like Bach's original fugues. Febel's compositions are a testament to his deep understanding of Bach's work, as he skillfully balances the intricate new material with the timeless elegance of the original.
From the contemplative "Nicht zu langsam" of Studie 1 to the fiery "Presto feroce" of Studie 17, the album takes the listener on a journey through a variety of tempos and moods. The final study, "Maestoso, ma molto calmo," concludes the album with a sense of grandeur and tranquility, leaving the listener with a profound appreciation for both Bach's and Febel's musical genius.
This album is not just a tribute to Bach but also a celebration of Febel's own artistic vision. It is a must-listen for fans of classical music, particularly those with an interest in the fugue form and the works of J.S. Bach. The collaboration between Febel and Duo Tal & Groethuysen results in a performance that is both technically impressive and deeply moving, making this album a standout in the world of contemporary classical music.
(P) 2020 A production of WDR mediagroup under exclusive license to Sony Music Entertainment Germany GmbH
Tracks
Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 1: Nicht zu langsam (Contrapunctus 1)Reinhard Febel, Johann Sebastian Bach, Tal & Groethuysen
Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 2: Sehr schnell (Contrapunctus 2)Reinhard Febel, Johann Sebastian Bach, Tal & Groethuysen
Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 3: Leicht schwebend, nicht zu langsam (Contrapunctus 3)Reinhard Febel, Johann Sebastian Bach, Tal & Groethuysen
Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 4: Nicht zu langsam (Contrapunctus 4)Reinhard Febel, Johann Sebastian Bach, Tal & Groethuysen
Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 5: Langsam (Contrapunctus 5)Reinhard Febel, Johann Sebastian Bach, Tal & Groethuysen
Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 6: Langsam (Contrapunctus 6 per Diminutionem in Stylo Francese)Reinhard Febel, Johann Sebastian Bach, Tal & Groethuysen
Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 7: Nicht zu schnell (Contrapunctus 7 per Augmentationem et Diminutionem)Reinhard Febel, Johann Sebastian Bach, Tal & Groethuysen
Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 8: Nicht zu langsam (Contrapunctus 8)Reinhard Febel, Johann Sebastian Bach, Tal & Groethuysen
Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 9: Sehr schnell (Contrapunctus 9 alla Duodecima)Reinhard Febel, Johann Sebastian Bach, Tal & Groethuysen
Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 10: Schnell (Contrapunctus 10 alla Decima)Reinhard Febel, Johann Sebastian Bach, Tal & Groethuysen
Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 11: Prestissimo possibile (Contrapunctus 11)Reinhard Febel, Johann Sebastian Bach, Tal & Groethuysen
Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 12: Langsam (Contrapunctus 12 Rectus+Inversus)Reinhard Febel, Johann Sebastian Bach, Tal & Groethuysen
Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 12a: Nicht zu langsam (Contrapunctus 12 Rectus+Inversus)Reinhard Febel, Johann Sebastian Bach, Tal & Groethuysen
Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 13: Prestissimo possibile (Contrapunctus 13 Rectus+Inversus)Reinhard Febel, Johann Sebastian Bach, Tal & Groethuysen
Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 13a: Schnell (Contrapunctus 13 Rectus+Inversus)Reinhard Febel, Johann Sebastian Bach, Tal & Groethuysen
Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 14: Nicht zu langsam (Canon in Hypodiatesseron per Augmentationem in Contrario Motu)Reinhard Febel, Johann Sebastian Bach, Tal & Groethuysen
Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 15: Schnell (Canon in Hypodiapason - Canon alla Ottava)Reinhard Febel, Johann Sebastian Bach, Tal & Groethuysen
Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 16: Nicht zu schnell (Canon alla Decima. Contrapunto alla Terza)Reinhard Febel, Johann Sebastian Bach, Tal & Groethuysen
Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 17: Presto feroce (Canon alla Duodecima in Contrapunto alla Quinta)Reinhard Febel, Johann Sebastian Bach, Tal & Groethuysen
Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 18: Maestoso, ma molto calmo (Fuga a 3 (4) Soggetti)Reinhard Febel, Johann Sebastian Bach, Tal & Groethuysen