Marc-André Hamelin's 2004 album, "Ives: Concord Sonata – Barber: Piano Sonata," is a captivating journey through two monumental works of the classical piano repertoire. Recorded in the intimate acoustics of London's Henry Wood Hall, this album showcases Hamelin's technical prowess and interpretive depth, making it a standout in his discography.
The album opens with Charles Ives' monumental "Piano Sonata No. 2, Concord," a complex and visionary work inspired by the transcendentalist philosophers of Concord, Massachusetts. Hamelin's performance is nothing short of epic, navigating the sonata's intricate polyphony and dissonant harmonies with remarkable clarity and precision. The four movements, named after Emerson, Hawthorne, The Alcotts, and Thoreau, offer a profound exploration of American musical nationalism and philosophical ideals.
Following Ives' monumental work is Samuel Barber's "Piano Sonata in E-Flat Minor, Op. 26," a more concise yet equally compelling piece. Hamelin's interpretation brings out the sonata's lyrical beauty and dramatic intensity, showcasing his ability to balance technical virtuosity with expressive nuance.
With a total duration of just over an hour, this album is a testament to Hamelin's artistry and his commitment to bringing these challenging and rewarding works to life. Whether you're a seasoned classical music enthusiast or a curious newcomer, this recording offers a rich and rewarding listening experience.
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