It Don't Mean a Thing

Dive into the timeless elegance of jazz with Herb Ellis' "It Don't Mean a Thing," a captivating album released in 2015 under the Swanley label. This cool jazz and bebop masterpiece spans a concise yet fulfilling 39 minutes, featuring 10 tracks that showcase Ellis' virtuosity on the guitar.

The album is a delightful blend of classic tunes, including the iconic "It Don't Mean a Thing" and "Willow Weep for Me," alongside lesser-known gems like "Poor Darlin' Nellie" and "Old Folks." Ellis is joined by an impressive ensemble of musicians, including the legendary Ella Fitzgerald on vocals, Don Abney on piano, Ray Brown on bass, and Jo Jones on drums. The collaboration with these jazz greats elevates the album to a level of sophistication and swing that is sure to enchant any jazz enthusiast.

Recorded in 1957 at the Palais des Beaux-Arts in Brussels, Belgium, the album captures a live energy that is both intimate and dynamic. The chemistry between Ellis and his fellow musicians is palpable, making each track a testament to their collective brilliance. Whether you're a longtime fan of Herb Ellis or a newcomer to the world of cool jazz, "It Don't Mean a Thing" is a must-listen that highlights the enduring appeal of this classic genre.

Herb Ellis, born Mitchell Herbert Ellis, was a pioneering American jazz guitarist whose career spanned decades, leaving an indelible mark on the genre. Hailing from Farmersville, Texas, Ellis' journey began with the influence of Western swing and jazz, shaping his unique, blues-inflected style. He is perhaps best known for his tenure with the Oscar Peterson Trio from 1953 to 1958, where his nimble improvisations and distinctive swing feel complemented Peterson's prodigious piano playing. Ellis' collaborations extended beyond Peterson, including notable work with Ella Fitzgerald and Joe Pass, and he was a member of the esteemed Great Guitars ensemble. His compositions, such as "Detour Ahead" and "I Told Ya I Love Ya, Now Get Out," are jazz standards, showcasing his wit and musical prowess. Ellis' iconic use of a 1953 Gibson ES-175 further cemented his legacy, making him a beloved figure among jazz enthusiasts and musicians alike.