Israelsbrünnlein, Opella Nova II

Album Description

Immerse yourself in the sublime sounds of Johann Hermann Schein's 'Israelsbrünnlein, Opella Nova II', a masterpiece of Baroque music. Released on 18 April 1996 by Deutsche Harmonia Mundi, this album is a testament to the composer's innovative spirit and artistic genius. Under the expert direction of Konrad Junghänel, the renowned ensemble Cantus Cölln brings Schein's works to life with precision and passion.

This 17-track album is a journey through the composer's most revered creations, including the majestic 'Magnificat' and the poignant 'Unser Leben währet siebnzig Jahr'. The music is characterised by its intricate harmonies, soaring melodies, and a deep sense of spirituality. From the opening notes of 'O Herr, ich bin dein Knecht' to the closing strains of 'Nun danket alle Gott', Schein's music transports listeners to a world of beauty and contemplation.

With its rich textures and expressive performances, 'Israelsbrünnlein, Opella Nova II' is an essential listening experience for fans of early music and Baroque enthusiasts alike. The album's duration of 1 hour and 15 minutes is a testament to the composer's boundless creativity and the ensemble's dedication to bringing his vision to life. Join Johann Hermann Schein and Cantus Cölln on this sonic exploration of the human experience, and discover the timeless beauty of 'Israelsbrünnlein, Opella Nova II'.

April 18, 1996

(P) 1996, BMG Music

About Johann Hermann Schein

Johann Hermann Schein, born in Grünhain, Germany, in 1586, was a pioneering figure in the early Baroque era, renowned for his significant contributions to both sacred and secular music. As the Thomaskantor in Leipzig from 1615 until his death in 1630, Schein played a crucial role in shaping the musical landscape of his time. Alongside contemporaries like Heinrich Schütz and Michael Praetorius, he was one of the first to introduce the Italian Baroque style into German music, leaving a lasting impact on the region's musical heritage. Schein's compositions, particularly his sacred works, continue to be celebrated for their innovation and beauty, making him a key figure in the transition from the Renaissance to the Baroque period.