Imaginary Values

Album Description

"Imaginary Values" is a captivating exploration of free jazz and avant-garde improvisation, brought to life by the masterful Evan Parker, alongside Barry Guy on bass and Paul Lytton on drums. Released on January 1, 1994, under Maya Recordings, this album is a testament to the power of spontaneous composition and the deep musical dialogue between these three virtuosos.

The album comprises nine intricate tracks, each named after a philosophical concept—Form, Content, Agreement, Distinction, Identity, Value, Consequence, Invariance, and Variance—which serve as the framework for the improvisational journeys that unfold. With a total duration of one hour and three minutes, "Imaginary Values" offers a rich and immersive experience, showcasing the boundless creativity and technical prowess of Evan Parker and his collaborators.

Evan Parker, renowned for his innovative approach to the saxophone, delivers a performance that is both intellectually stimulating and deeply expressive. His interplay with Barry Guy and Paul Lytton is nothing short of extraordinary, as they navigate the complexities of free jazz with remarkable cohesion and spontaneity. The album's avant-garde nature invites listeners to engage with the music on multiple levels, appreciating both its structural intricacies and its raw, unfiltered energy.

"Imaginary Values" is a seminal work in the realm of free jazz, highlighting the enduring legacy of Evan Parker and his contributions to the genre. Whether you are a seasoned jazz enthusiast or a curious newcomer, this album promises a rewarding and thought-provoking listening experience.

January 1, 1994

1994 Maya Recordings

About Evan Parker

Evan Parker is a pioneering British saxophonist renowned for his innovative approach to free improvisation. Born in Bristol in 1944, Parker began playing the saxophone at the age of 14 and has since become a seminal figure in the European free music scene. Known for his distinctive sound and fluid development of multiphonic techniques, Parker has consistently pushed the boundaries of what is possible on the tenor and soprano saxophones. His collaborations, notably with the Spontaneous Music Ensemble and a vast array of percussionists and electronic musicians, have solidified his status as one of the most influential and recognizable artists in avant-garde and free jazz. Parker's music is not just about notes; it's about creating a constantly evolving sonic landscape that challenges and engages the listener.