Dive into the enchanting world of Baroque chamber music with Václav Luks and his ensemble, Collegium 1704, featuring the extraordinary mezzo-soprano Magdalena Kožená. "Il giardino dei sospiri" is a captivating journey through the intricate and expressive compositions of the Baroque era, showcasing the talents of these renowned artists.
This album, released on May 3, 2019, under the Pentatone label, spans a generous 1 hour and 25 minutes, offering a rich tapestry of 25 tracks that highlight the depth and beauty of Baroque music. The album features a mix of well-known and lesser-known works, providing a comprehensive and engaging listening experience.
Václav Luks, the conductor, leads Collegium 1704 with precision and passion, bringing out the nuanced details and dramatic flair of each piece. Magdalena Kožená's powerful and expressive vocals shine throughout, particularly in her interpretations of tragic heroines from various love stories. Her performance is both poignant and powerful, making this album a standout in the genre.
The recording, made at the Church of Saint Anne, benefits from excellent acoustics, ensuring that every note and nuance is captured with clarity and warmth. The album includes works by renowned composers such as George Frideric Handel, with pieces like "Arianna abbandonata," "Maria dolorata," "Didone abbandonata," and "Agrippina" showcasing the ensemble's versatility and mastery.
Whether you are a seasoned fan of Baroque music or a newcomer to the genre, "Il giardino dei sospiri" offers a rich and rewarding experience. The combination of Luks's conducting, Kožená's vocals, and the ensemble's skillful playing makes this album a true gem in the world of classical music.
2019 Pentatone Music B.V.2019 Pentatone Music B.V.
Tracks
Arianna abbandonata, S. 98: No. 1a, Sinfonia. PrestissimoBenedetto Marcello, Vaclav Luks, Collegium 1704
Arianna abbandonata, S. 98: No. 1b, Sinfonia. Adagio assaiBenedetto Marcello, Vaclav Luks, Collegium 1704
Arianna abbandonata, S. 98: No. 1c, Sinfonia. PrestoBenedetto Marcello, Vaclav Luks, Collegium 1704
Arianna abbandonata, S. 98: No. 2, Dove, misera, doveBenedetto Marcello, Vaclav Luks, Collegium 1704, Magdalena Kožená
Arianna abbandonata, S. 98: No. 3, Come mai puoiBenedetto Marcello, Vaclav Luks, Collegium 1704, Magdalena Kožená
Arianna abbandonata, S. 98: No. 4, Se fia che pensi, o caroBenedetto Marcello, Vaclav Luks, Collegium 1704, Magdalena Kožená
Arianna abbandonata, S. 98: No. 5, Che dolce foco in pettoBenedetto Marcello, Vaclav Luks, Collegium 1704, Magdalena Kožená
Maria dolorata: No. 1a, Sinfonia. AllegroLeonardo Vinci, Vaclav Luks, Collegium 1704
Maria dolorata: No. 1b, Sinfonia. LargoLeonardo Vinci, Vaclav Luks, Collegium 1704
Maria dolorata, sinfonia (Minuet)Leonardo Vinci, Vaclav Luks, Collegium 1704
Václav Luks is a versatile Czech musician and pioneer in the historical performance of Baroque music. Born in 1970, Luks is renowned for his mastery of the harpsichord and French horn, as well as his conducting and musicological expertise. He founded and directs the esteemed ensembles Collegium 1704 and Collegium Vocale 1704, which are dedicated to bringing Baroque and early music to life with historical authenticity. Luks' discography is impressive, featuring works by composers such as Zelenka, Handel, and Mielczewski, and he has been instrumental in reshaping the Baroque repertory in the Czech Republic. His performances are not just concerts but immersive experiences that transport audiences to the musical worlds of the past. Beyond his performing career, Luks is also a dedicated pedagogue, sharing his knowledge and passion with the next generation of musicians.
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Vaclav Luks
