Identity

Album Description

Dive into the avant-garde jazz realm with "Identity," a captivating album by Michel Wintsch, released in 1999 under the Leo Records label. This 58-minute journey through free jazz and improvisation features Wintsch's masterful piano alongside the dynamic duo of Gerry Hemingway on drums and Bänz Oester on bass. The album, comprising 13 tracks, showcases the trio's exceptional chemistry and their collective prowess in pushing the boundaries of traditional jazz.

Michel Wintsch, a Swiss composer and pianist born in 1964, has made a significant mark in the avant-garde jazz scene. His collaborations with renowned musicians like Franz Koglmann and Gerry Hemingway have solidified his reputation as a pioneer in the genre. "Identity" is a testament to his innovative spirit, offering a unique blend of free improvisation and structured composition.

The album opens with "Choucas," setting the tone for the exploratory journey that follows. Tracks like "Anne-Marie S" and "Holy Mess" highlight the trio's ability to create intricate, engaging soundscapes, while "For John Coltrane" pays homage to the jazz legend with a soulful, introspective performance. "Identity" culminates with the reflective "Driving Home," leaving listeners with a sense of the profound connection and musical dialogue shared among the trio.

Whether you're a seasoned jazz enthusiast or a curious newcomer, "Identity" promises an enriching listening experience. The album's intricate compositions and spontaneous improvisations offer a deep dive into the world of avant-garde jazz, showcasing the incredible talent and creativity of Michel Wintsch, Gerry Hemingway, and Bänz Oester.

1 januari 1999

(P) 1999 Leo Records

About Michel Wintsch

Michel Wintsch is a Swiss avant-garde jazz composer and pianist known for his innovative and syncretic approach to music. Born in 1964, Wintsch's unyielding inspiration stems from a diverse musical background that seamlessly blends jazz tradition with the raw energy of progressive rock. His work is characterized by a unique fusion of freewheeling improvisation and the structural demands of orchestral composition, often enhanced by his virtuoso piano playing and digital editing techniques.

Wintsch has collaborated with notable musicians such as Franz Koglmann and Gerry Hemingway, and in the 1980s, he toured with the group Monkey's Touch. His discography is a testament to his versatility and creativity, featuring works that range from intimate solo performances to collaborative albums with ensembles like Road Movie and WHO Trio. Whether composing for a small ensemble or a larger orchestra, Wintsch's music is marked by a mysterious poetry that invites the listener into a world of chance sounds and evocative titles. His ability to blend different musical styles and techniques makes each of his releases a unique and captivating experience.