"Ich denke, dass ich mir sicher bin"

Album Description

Dive into the captivating world of Bertolt Brecht with his intriguing album "Ich denke, dass ich mir sicher bin". Released on May 31, 2019, under the label audiolino, this dark cabaret masterpiece is a unique collection of 18 tracks, each titled "Ich denke, dass ich mir sicher bin" - Bertolt Brecht vor dem Ausschuss für unamerikanische Umtriebe. The album spans a duration of 57 minutes, offering a deep and immersive experience into Brecht's testimony before the House Un-American Activities Committee.

The album is a fascinating exploration of Brecht's interactions with the committee, translated by Rainer Gussek and Anne Gerngroß. With the participation of Stephan Schad and others, the album presents a compelling narrative that is both historical and theatrical. The dark cabaret genre adds a layer of intrigue and intensity, making it a standout piece in Brecht's discography.

"Ich denke, dass ich mir sicher bin" is not just an album; it's a historical document brought to life through the medium of music. Brecht's sharp wit and incisive commentary are on full display, making this a must-listen for fans of dark cabaret and those interested in the intersection of politics and art. The album's unique structure, with its repeated title and varying content, offers a fresh and engaging listening experience that is sure to captivate and provoke thought.

May 31, 2019

2019 audiolino

About Bertolt Brecht

Bertolt Brecht, born in 1898 in Augsburg, Germany, was a revolutionary figure in the world of theatre, renowned for his innovative approach to playwriting and directing. Coming to prominence during the Weimar Republic, Brecht's work was deeply influenced by Marxist thought, leading him to develop the concept of epic theatre and the Verfremdungseffekt, which aimed to make audiences critically engage with the performance rather than passively consume it. His collaborations with composers like Kurt Weill and Hanns Eisler resulted in iconic works such as "The Threepenny Opera," which blended dark cabaret elements with sharp social commentary. Brecht's contributions extended beyond his plays; he was also a prolific poet and a leading theoretician, shaping the course of modern theatre with his insightful writings on dramatic theory. Throughout his career, Brecht remained a committed socialist, moving from Switzerland to East Germany to align with his political beliefs. His legacy endures as a testament to his unyielding artistic vision and his commitment to using theatre as a tool for social change.