I Have The Room Above Her

Album Description

Paul Motian's 'I Have The Room Above Her' is a captivating jazz album, released on 1 January 2005 via ECM Records. This 59-minute masterpiece weaves together an intricate tapestry of cool and free jazz, showcasing Motian's unique ability to craft mesmerising soundscapes.

The album's tracklist, comprising twelve thought-provoking pieces, including 'Osmosis Part III', 'Shadows', and the titular 'I Have The Room Above Her', demonstrates Motian's innovative approach to the genre. With each composition, he invites the listener to immerse themselves in a world of subtle nuances and expressive depth.

Through his distinctive blend of jazz styles, Paul Motian creates an atmosphere that is both introspective and expansive, making 'I Have The Room Above Her' an essential listen for fans of the genre. As the album unfolds, it becomes clear that Motian's vision is one of understated complexity, where every note and rhythm contributes to a richly textured whole. The result is an album that is at once a testament to Motian's skill as a musician and a compelling exploration of the jazz idiom.

January 1, 2005

℗ 2004 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

About Paul Motian

Paul Motian, born in Philadelphia in 1931, was a pioneering American jazz drummer, percussionist, and composer of Armenian descent. His career spanned nearly six decades, during which he played a pivotal role in liberating jazz drummers from traditional time-keeping constraints. Motian's subtle, spontaneous, and interactive style made him a standout on the New York City jazz scene. He collaborated with legendary musicians such as Bill Evans, Keith Jarrett, and Charles Lloyd, and led his own influential groups featuring artists like Bill Frisell and Joe Lovano. Motian's eclectic discography spans genres from cool jazz and hard bop to free jazz and avant-garde, showcasing his versatility and innovative spirit. His legacy endures as a testament to his unique sound and enduring influence on jazz music.