Dive into the avant-garde world of Jason Kao Hwang with "Stories Before Within," a captivating exploration of free jazz released in 2007. This album, recorded in New York City over two days in April 2007, showcases Hwang's unique compositional style and his ensemble EDGE's dynamic interplay. With a runtime of just over 51 minutes, the five-track album offers a rich tapestry of sounds that push the boundaries of traditional jazz.
Hwang, a renowned violinist and composer, leads EDGE through a series of intricate compositions that highlight the group's collective virtuosity. The album opens with "Cloud Call," a piece that sets the tone for the album's introspective and exploratory nature. "From East Sixth Street" follows, offering a more upbeat and rhythmic experience, while "Walking Pictures" delves into a more abstract and textural landscape. "Third Sight" and "Embers" round out the album, each bringing their own unique perspectives and musical narratives.
"Stories Before Within" is a testament to Hwang's innovative approach to composition and his ability to blend various musical influences into a cohesive and compelling whole. The album's intricate arrangements and improvisational elements make it a standout in the world of avant-garde jazz, offering both seasoned jazz enthusiasts and curious newcomers a rich and rewarding listening experience.
Jason Kao Hwang is a pioneering Chinese American violinist and composer who has carved out a unique niche in the world of experimental music. Born in 1957, Hwang is renowned for his unconventional and improvisational jazz violin technique, which he employs to create intricate and emotionally resonant compositions. His work often draws from a rich tapestry of influences, including jazz, classical, and traditional Chinese music, resulting in a sound that is distinctly his own.
Hwang's compositions are narrative landscapes, inviting the audience on transformational journeys through sound. His chamber opera, "The Floating Box: A Story in Chinatown," premiered in 2001 and was released in 2005, showcasing his ability to blend storytelling with innovative musical structures. He has been recognized multiple times by the El Intruso Critics and the Downbeat Critics’ Poll, cementing his status as a leading figure in avant-garde and free jazz.
As an educator and artist-in-residence at various institutions, Hwang has also dedicated himself to teaching and lecturing, sharing his unique perspective on music and culture. His ensembles, such as his trio with electric guitarist Anders Nilsson and drummer Michael T.A. Thompson, are known for their adventurous fusion sessions, where musical influences never sit still. Whether performing with a mixed ensemble of jazz, classical, and Chinese instruments or exploring the depths of improvisational soliloquies, Jason Kao Hwang continues to push the boundaries of what music can be.
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